Robert Levin has long argued that Mozart would have made up new material while performing, and he follows the master in a series of dazzling recordings.
By singing men and women, nobles and servants, the countertenor Anthony Roth Costanzo takes the opera’s theme of human mutability to a chaotic extreme.
Jeanine Tesori and George Brant’s bloodless “Grounded,” about a fighter pilot turned dissociating drone operator, stars the mezzo-soprano Emily D’Angelo.
Jeanine Tesori and George Brant’s bloodless “Grounded,” about a fighter pilot turned dissociating drone operator, stars the mezzo-soprano Emily D’Angelo.
Two new works, “The Listeners” and “Grounded,” echo the age-old spectacle of female disintegration and show the tension of fitting modern stories into old forms.
Led by Manfred Honeck, the orchestra all too quickly revisited Beethoven’s Seventh Symphony and, with Vikingur Olafsson, Brahms’s Piano Concerto No. 1.