Tony Kay

The followup to the 2022 sleeper horror hit goes bigger, splashier, more stylish, and more satisfying than its predecessor.

The third chapter in Ti West's horror trilogy delivers shocks, visual dazzle, trashy exploitation, and maybe even a bit of female empowerment.

Canadian writer/director Chris Nash takes an experimental approach to that venerable horror sub-genre, the Slasher Movie.

After 50 years in the making, an overlooked special effects master's swan song finally sees the light of day.

In 2022 it felt like moviegoing came (almost) all the way back (for the seemingly dwindling number of people who were willing to go into the theaters). As the year winds to a close, we're sharing lists of our favorite films we've seen (so far).

The second installment of the animated Spider-Verse trilogy is shaping up to be the best mainstream movie of 2023. Really.

No heavy message; just the 2022 movies that delighted, surprised, thrilled, and moved me in ways I often didn’t see coming.

The final chapter of David Gordon Green’s horror franchise reboot is either entertainingly stupid, or satiric genius. Really.

A nail-biter of a doc, a quietly elegant 1962 neo-realist gem, and an outstanding Spanish horror film made for a great start to SIFF 2022.

There's often-stunning visual style to offset the flaws in Carlson Young's promising first feature as a director.