Tim Bano

Joint Lead Critic at The Stage

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Influence score
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Location
United Kingdom
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

thestage.co.uk

One Man Musical by Flo & Joan review at Pleasance Dome, Edinburgh

Superbly silly musical about Andrew Lloyd Webber by musical comedy geniuses Flo & Joan
thestage.co.uk

Willy’s Candy Spectacular review at Pleasance Dome, Edinburgh

Awful cash-in musical parody from Kraft-Engel Productions of the notorious Dahl disaster
thestage.co.uk

Thor the Walrus review at Zoo Playground, Edinburgh

Scrappy but endearing comedy by Claire Watt about a walrus vs climate change
thestage.co.uk

You’re Needy (sounds frustrating) review at site-specific venues, E...

Intense, satirical show for one audience member about the toxicity of the wellness industry from tasteinyourmouth collective
thestage.co.uk

Wicked review

Giddy, garish and spectacular version of Stephen Schwartz's hit musical, with terrific lead performances from Cynthia Erivo and Ariana Grande
thestage.co.uk

The Devil Wears Prada review at Dominion Theatre, London

Jerry Mitchell's lavish stage adaptation of the hit film with music from Elton John and starring Vanessa Williams – it may look good, but it has nothing to say
thestage.co.uk

You Me Bum Bum Train review at a secret location, London

The secretive, cultish immersive show returns after eight years – and it’s truly extraordinary
thestage.co.uk

Theatre bosses tell us how they curate a season of work

Artistic directors of Bristol Old Vic, Paines Plough, Nottingham Playhouse, Glasgow’s Citizens and Jermyn Street Theatre on the process of programming a season
thestage.co.uk

Director and writer Jessica Swale

Jessica Swale tells Tim Bano about turning the story of Paddington Bear into a musical, penning a book to inspire creativity and directing a Christmas film
thestage.co.uk

Wicked: For Good film review – visually spectacular

Read our review of Wicked for Good: Cynthia Erivo and Ariana Grande reprise their performances in the sequel of the screen adaptation of the hit stage musical Wicked
thestage.co.uk

Is theatre’s Atlantic bridge still two-way?

As the UK becomes increasingly appealing for US producers, Tim Bano examines the relationship between Broadway and the West End – and the power shifts between the two