nytimes.com
How are we to live in this? How are we to truly inhabit “resistance”?
about 6 years ago
nytimes.com
For more than four decades, Robert Adams’s landscape photographs have reminded us of what has been lost in America, and what endures.
almost 6 years ago
nytimes.com
Among young women in Troy, N.Y., the photographer Brenda Ann Kenneally captures a spiral of aimlessness and trouble.
almost 6 years ago
nytimes.com
In a time of omnipresent digital images, books remain one of the most powerful ways of showing the riches of photography.
almost 6 years ago
nytimes.com
In his final On Photography column, Teju Cole argues that images of human suffering often implicitly serves the powers that be.
over 5 years ago
nytimes.com
Images of brutality should do more than provide a quick emotional fix. They should indict the viewer.
about 5 years ago
nytimes.com
History’s first draft is almost always wrong — but we still have to try and write it.
over 4 years ago
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The work the artist made near the end of his life changed my understanding of both beauty and suffering.
about 4 years ago
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A photographer considers the pandemic, domesticity, intimacy, slavery and the history of Cambridge, Mass.
about 3 years ago
nytimes.com
The violence of his era can be found in his serene masterpieces — if you know where to look.
over 1 year ago
nytimes.com
Seeing works by Sophocles and Aeschylus in their native land imparts indelible lessons about pain and memory.
about 1 year ago
