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Instagram — free, chaotic and immediate — has become a place to watch great photographers work out their obsessions.
over 8 years ago
nytimes.com
On the necessity of resisting the new normal.
over 7 years ago
nytimes.com
Taryn Simon’s photographs — knowing, unsentimental and meticulously made — attend to the details of how power works.
over 7 years ago
nytimes.com
Four photographers — three outsiders, one insider — and the perils of appropriation.
almost 7 years ago
nytimes.com
Through blur, darkness and drift, the photographer Santu Mofokeng shows that black South Africans are more than their suffering.
over 6 years ago
nytimes.com
Maria Cosindas’s dreamlike photographs have a magic all their own.
over 6 years ago
nytimes.com
Work that felt not only moving but also necessary.
over 6 years ago
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Images of violence can desensitize us, but they can also remind us of our common bond.
almost 6 years ago
nytimes.com
How are we to live in this? How are we to truly inhabit “resistance”?
over 5 years ago
nytimes.com
For more than four decades, Robert Adams’s landscape photographs have reminded us of what has been lost in America, and what endures.
over 5 years ago
nytimes.com
Among young women in Troy, N.Y., the photographer Brenda Ann Kenneally captures a spiral of aimlessness and trouble.
over 5 years ago
nytimes.com
In a time of omnipresent digital images, books remain one of the most powerful ways of showing the riches of photography.
over 5 years ago
nytimes.com
In his final On Photography column, Teju Cole argues that images of human suffering often implicitly serves the powers that be.
about 5 years ago
nytimes.com
Images of brutality should do more than provide a quick emotional fix. They should indict the viewer.
almost 5 years ago
nytimes.com
History’s first draft is almost always wrong — but we still have to try and write it.
almost 4 years ago
nytimes.com
The work the artist made near the end of his life changed my understanding of both beauty and suffering.
over 3 years ago
nytimes.com
A photographer considers the pandemic, domesticity, intimacy, slavery and the history of Cambridge, Mass.
almost 3 years ago
nytimes.com
The violence of his era can be found in his serene masterpieces — if you know where to look.
11 months ago
nytimes.com
Seeing works by Sophocles and Aeschylus in their native land imparts indelible lessons about pain and memory.
8 months ago
