Taylore Scarabelli

"The theme is labor, motherhood," our senior editor writes of Miu Miu SS26. "This all fits neatly with my new fashion week thesis: it's exhausting to be a woman."

"Making a good fashion show is like making a film," writes our senior editor. "You need the right set, the right cast, the right music, the right makeup and costumes."

After premiering their animated feature “Bouchra” at NYFF last week, the filmmaker duo joined us for a smoke break to talk meta layers and martinis.

"He has a vision, he has a moodboard, and he knows what works for his clients," said our editors of Olivier Rousteing's Balmain SS26 collection.

"I need my computer. I need to get to the next show," writes our senior editor in her first dispatch from Paris Fashion Week. "I need to sleep tonight or I'll literally die."

After the star-studded Saint Laurent SS26 show, our editors convened to talk leather daddies and fascist aesthetics.

After taking in the Bottega Veneta SS26 show, where creative director Louise Trotter made her hotly anticipated debut, our fashion director called up our senior editor to talk feathers, fringe, and lesbian power dressing.

Our fashion director calls up the New York office for a quick recap of the brand's cinematic relaunch.

Is Quentin Belt the people's photographer? Last weekend, in the middle of a hectic New York Fashion Week, we stopped by his book launch at Time Again to find out.

Our senior editor Taylore Scarabelli documents the good, the bad, and the cutie patootie at New York Fashion Week.