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Susan Orlean

Susan Orlean

Staff Writer at The New Yorker

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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

newyorker.com

The Deer Who Lived Upstairs

Dillie, a whitetail from Ohio, defied many expectations during her unexpectedly long life.
newyorker.com

The Fort Wayne Daisies’ Star Pitcher

Apart from the charm-school classes, Maxine Kline relished her time in the girls’ professional baseball league.
newyorker.com

The Bartender Behind the Blue Hawaii

How Harry Yee put “paradise”—and those little umbrellas—in a cocktail glass.
newyorker.com

Blanche the Unusually Friendly Swan

She reigned at San Francisco’s Palace of Fine Arts, but life wasn’t always easy.
newyorker.com

A Long Life as a Disney Animator

For nearly seventy years, Burny Mattinson drew many of the studio’s best-loved characters.
newyorker.com

The First Magician on the Vegas Strip

Gloria Dea began performing when she was five years old. Even then, she was sassy and self-assured.
newyorker.com

The Photographer of the Black Is Beautiful Movement

Kwame Brathwaite’s landmark work, beginning with a show in 1962, had a titanic impact on fashion and identity.
newyorker.com

The Salmon in the Sky

A painted plane that flew the Alaskan coast.
newyorker.com

The Instant Pot and the Miracle Kitchen Devices of Yesteryear

Preparing meals is a Sisyphean task, and anything that promises to make it faster, or easier, or better, or healthier, or more fun, is irresistible.
newyorker.com

From House Arrest to the Oscars Circuit

During their time in Los Angeles, Wine and Kyagulanyi kept up a hectic schedule of press interviews and the meet-and-greet parties that are standard Oscar campaign events, in addition to the luncheon, where Kyagulanyi was seated next to Cillian Murphy and took a selfie with Emma Stone. Wine, who was at a different table, didn’t recognize his seatmates. “I don’t get to watch contemporary films,” he explained, noting how much time he’s spent in and out of prison over the past few years. “But I’m s…
newyorker.com

Nicolas Cage Is Still Evolving

Where was the rager, the explosive madman who years later would inspire a viral supercut on YouTube of the climactic outbursts that marked such films as “Moonstruck” and “Face/Off” and “Vampire’s Kiss”? From what I can tell, Cage leaves it all on the set. In person, he’s courtly, gentle, careful with his words, reflective, and quick to be silly. The yawning divide between his performances and his personality is deliberate: having appeared in more than a hundred films since he began acting as a t…