Susan Glasser

In a week of political exits, a reminder that Trump’s time is coming soon, too.

Razing the East Wing? Breaking Congress? An unscientific survey of the President's most disruptive, significant, and truly surprising moves.

The Pentagon’s ban on real journalism looks to be a preview of where the White House is headed.

The President’s chilling vision of turning American military power inward.

The President’s martial rhetoric against fellow-Americans is a striking contrast with his push for an end to hostilities in Gaza.

The President learned in 2019 how to undercut Congress in a funding fight, and he’s been making the same move ever since.

Two speeches—one endorsing hate and another warning foreign nations “you will fail”—encapsulate a Presidential agenda that is like no other.

After Charlie Kirk’s tragic killing, the President speaks not of ending political violence but of seeking political vengeance.

From tariffs and immigration to the National Guard, federal judges are rejecting Trump’s ridiculous cover stories.

Notes from the longest, cringiest Trump Cabinet meeting yet.

There was a certain awful predictability about the F.B.I.’s Friday-morning raids targeting the former Trump adviser turned critic John Bolton.

Even the puffery-prone President couldn’t alchemize his non-deal with Russia into Trumpian gold.

The Mar-a-Lago-fication of the White House may be the least bad part of the President’s legacy.

Is the President flip-flopping on Israel’s war, or just muddling through?

In a Presidency where everything is an outrage, what does it say that MAGA’s revolt over the Jeffrey Epstein files is the one crisis that really might hurt him?

Distracted by the President’s constant bashing of his predecessor? Of course not.

It’s never easy to tell which flip or flop the flip-flopper in the White House means.

Rarely have so many members of Congress voted for a measure they so actively disliked.

The NATO secretary-general goes all in on strategic self-abasement while meeting with his American “Daddy.”

Just how dangerous is the President’s week of militarized theatre?