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Stephen M. Deusner

Stephen M. Deusner

Contributing Writer at Pitchfork

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Email address
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Influence score
61
Location
United States
Languages
  • English
Covering topics
  • Music

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Recent Articles

pitchfork.com

The Decemberists: As It Ever Was, So It Will Be Again - Pitchfork

On their first new album in six years, the folk troubadours balance out-of-time balladry with a mature sensibility that’s attuned to melancholy and mortality in the present.
pitchfork.com

Good Looks: Lived Here for a While Album Review - Pitchfork

The Austin band’s knowing, sharply rendered indie rock filters life on the road into songs about interpersonal angst and heartland unease.
pitchfork.com

Jon McKiel: Hex Album Review - Pitchfork

The New Brunswick musician learned collage techniques from a found reel-to-reel tape; here, he brings them to bear on a live-or-Memorex studio deconstruction of his own idiosyncratic songwriting.
pitchfork.com

Office Dog: Spiel Album Review - Pitchfork

The New Zealand band’s debut is heavy but nimble, with the tight interplay of an old-fashioned indie rock power trio.
pitchfork.com

Pastor Champion: I Just Want to Be a Good Man - Pitchfork

The debut album from the late Oakland pastor is a powerful showcase for his guitar work, his singing, and his ministry.
pitchfork.com

Margo Cilker: Pohorylle

Read Stephen M. Deusner’s review of the album.
pitchfork.com

Violent Femmes: Why Do Birds Sing? (Deluxe Edition)

Read Stephen M. Deusner’s review of the album.
pitchfork.com

Andy Shauf: Wilds Album Review - Pitchfork

Because it’s not beholden to some overarching conceit, the latest album from the Toronto-based singer-songwriter sounds looser, a bit wilder, more lackadaisical in a sadsack sort of way.
pitchfork.com

Shirley Collins: Crowlink EP

Read Stephen M. Deusner’s review of the album.
pitchfork.com

Various Artists / Billy Paul / Harold Melvin & the Blue Notes / The...

Read Stephen M. Deusner’s review of the album.
pitchfork.com

Iron & Wine: Archive Series No. 5: Tallahassee Recordings

Read Stephen M. Deusner’s review of the album.