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Stephanie Zacharek

Stephanie Zacharek

Film Critic / Senior Writer at TIME

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Location
United States
Languages
  • English
Covering topics
  • Entertainment
  • Independent Film

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Recent Articles

time.com

15 of the Greatest Dumb Comedies Ever Made

From The Jerk to Eurotrip, Dumb and Dumber to Undercover Brother.
time.com

Oscar Best Picture Winners Are Getting Smaller—And That’s a Good Thing

With Anora and other recent winners in the rearview, independently made films aren't gaining ground on the awards playing field; they are the playing field.
time.com

Our Film Critic’s Favorite 2025 Oscar Nominees

As well as one performance that the Academy overlooked
time.com

Oscars 2025 Live Updates: Red Carpet, How to Watch, and More

Follow along for the winners, losers, and biggest moments of the 97th Academy Awards
time.com

The Beauty of Timothée Chalamet Striving for Greatness Onscreen—And...

Amid a riveting performance in 'A Complete Unknown' and a self-professed quest for greatness, the young Oscar nominee has also delighted us off-screen.
time.com

The Enduring Charm of Bridget Jones

Not even three mediocre sequels, including 'Bridget Jones: Mad About the Boy,' can lessen the appeal of our great 21st century rom-com heroine
time.com

Colman Domingo Leads With Radical Love

The Oscar-nominated actor is using his platform to lift others.
time.com

You’re Cordially Invited Serves Up the Wrong Kind of Chaos

We nee chaos comedies these days, just ones that are sharper and zanier than Nicholas Stoller's new one starring Reese Witherspoon and Will Ferrell.
time.com

Review: Presence Is Low-Key Horror with a Big Impact

Steven Soderbergh's new ghost story is modest, but it's so compact, smart, and elegant that it feels quietly momentous.
time.com

Thank God Cameron Diaz Is Back

Her new Netflix movie, 'Back in Action,' isn't great. But if it means there’s more Cameron Diaz in our future, let’s take it.
time.com

A Complete Unknown Celebrates the Dazzling Unknowability of Bob Dyl...

James Mangold's scrappy, semi-unflattering patchwork portrait serves Bob Dylan far better than any fawning hagiography could.