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Shirley Li

Shirley Li

Staff Writer at The Atlantic

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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

theatlantic.com

The Comedian Dismantling the Alpha-Male Persona

Tim Robinson has figured out how to make abrasive men sympathetic.
theatlantic.com

Why the Sequel to Last Year’s Brightest Film Took a Dark Turn

The director of “Wicked” knows he took a big swing with its sequel.
theatlantic.com

Parenting Is the Least of Her Worries

In Die My Love, a struggling new mom loves her child—but can’t stand anyone else.
theatlantic.com

‘Bugonia’: An Intimate Portrait of Humanity at Its Worst

“Bugonia” is surprisingly subdued for a movie about alien conspiracy theories.
theatlantic.com

‘The Mastermind’: The Worst Art Thief in America

“The Mastermind” is far more successful as a character study than as a heist movie.
theatlantic.com

When One Word Changes an Entire Film

"After the Hunt" seems to reckon with cancel culture, before revealing where its true interest lies.
theatlantic.com

It’s Not Enough to Read Orwell

A new film argues that, in an era of rising authoritarianism, audiences have become too numb to the speculative force of “1984.”
theatlantic.com

‘Roofman’: A Heartwarming True-Crime Movie

Roofman stays grounded by highlighting life’s mundane thrills.
theatlantic.com

It’s Not Just Netflix—It’s Your Entire Life

The streaming service is expanding beyond screens and into the real world. Will subscribers follow?
theatlantic.com

The 14 Movies to Watch Out for This Fall

The most exciting films heading to theaters through the end of the year
theatlantic.com

Why a Chinese Animated Film Has Made More Money Than Any Star Wars ...

The success of the year’s biggest movie is less surprising than it may sound.
theatlantic.com

A Cheat Code for Parents Isn’t Working Anymore

Deciding what’s enriching for children to watch requires more homework than ever.
theatlantic.com

Comfort TV Is Overrated

Many of today’s most talked-about shows have something in common: They are wildly anxiety-inducing.
theatlantic.com

‘Squid Game’ Season 3: How the Hit Show Lost Itself

‘Squid Game’ Season 3: How the Hit Show Lost Itself
theatlantic.com

A Stunning Reinvention of the Zombie Film

“28 Days Later” messed with the genre’s formula. “28 Years Later” takes it even further.
theatlantic.com

‘Materialists’: Modern Dating, With a Lot of Talking

Materialists has much less to say about romance than it thinks it does.
theatlantic.com

A Film That Captures a ‘Friend Breakup’

In the movie "Friendship," one man will stop at nothing to get his bro back.
theatlantic.com

What Should You Let Your Kids Read?

Giving them some independence can help rekindle their love of books.
theatlantic.com

‘Andor’ Was the Reawakening Star Wars Needed

The best “Star Wars” story in years challenged the classic good-and-evil dichotomy.
theatlantic.com

‘The Rehearsal’: Nathan Fielder Is His Own Worst Enemy

“The Rehearsal” takes the prankster’s quest for self-betterment to new extremes.
theatlantic.com

‘The Last of Us’ Didn’t Soften the Blow

The show went too far in the wrong direction with its most shocking moment.