Ackie and Pattinson shine in Bong Joon-ho's Mickey 17, but the film is more concerned with surface-level satire than with compelling sci-fi storytelling.
Film Review: Louder Than You Think is not just a documentary about Pavement drummer Gary Young, but also a devastatingly human look at fate, creativity, and life.
Film Review: Satan Wants You uses the 1980s-90s Satanic Panic hysteria to show us how easy it is to believe unlikely things when they’re marketed well.
Film Review: Clearly a product of the pandemic, Molli And Max In The Future is a rom-com set in space that won’t be for everyone but has a lot of heart.
Film Review: Like a theatre play, Ira Sachs’ Passages draws you in with irresistible character dynamics, played to perfection by Franz Rogowski and Ben Whishaw.
Film Review: Through the haunting story of a young man searching for himself, Drifter shows us what it’s like to be a cis white gay man in Berlin at a specific moment in time.
Great performances elevate My Policeman, a wholly absorbing film about love, loss and prejudice, revolving around three people who unwittingly destroy one another.
Soon on Netflix, Thomas M. Wright’s film The Stranger is both a distressing
true-crime drama inspired by actual events and an irresistible character study.
Emma Corrin and Jack O’ Connell shine in Lady Chatterley’s Lover, Netflix ’s
steamy, stunning, though a little too male-centric adaptation of D.H. Lawrence’s
novel.
Denis Villeneuve’s Dune (2021) is both an immersive cinematic epic and a remarkable achievement in cinematography and sound design, shining with impressive world-building and strong performances from the entire cast.