Sebastian Smee

The great Viennese artist Gustav Klimt busted taboos with his depictions of pregnant women.

“Ancient Beacons Long for Notice,” a new film by Dario Robleto on view in Fort Worth, unites art and astronomy to jaw-dropping effect.

An installation by Samara Golden, one of our most original and interesting artists, places viewers on the edge of a strange, debris-filled ocean.

A taut show at the Dallas Museum of Art stimulates questions about Frida Kahlo’s deeper motivations.

The Post’s art critics pick their favorite 10 smaller museums dotted across the country.

Many museums charge admission fees. But there are almost always ways around them.

“The Resolute Desk,” a sculpture that appeared Thursday on the National Mall, is crass, tasteless and inappropriate — and all the better for it.

In a year-long Hirshhorn show squirming with energy, the famous Brazilian twins replace discernment with populist exuberance.

Otto Dix, a painter labeled “degenerate” by the Nazis, refused to flatter his subjects — but they agreed to sit for him anyway.

Ralph Steadman, illustrator of the corrupt, debauched and morbidly fascinating, is the subject of an enlivening survey at American University Museum.