Saul Ostrow

Painter Julie Langsam suggests the failures of two artistic movements—Romanticism and modernism—through her use of non-traditional landscape styles.

Al Souza is a Texas artist originally from Massachusetts. His work, like Robert Rauschenberg’s of the ’50s, functions in the gap between art and life.

Bill Komoski is one of the best abstract painters to have emerged in the late ’80s. I know that this is a bold statement—given that Komoski has not…

Glen Seator’s projects are premised on Art being just another category of event in the world, and simultaneously a social text. His works reorientate our…

For his most recent venture “Big Mind Sky”, the Swiss-born artist Ugo Rondinone packed 12 gargantuan and grotesquely grinning busts—each named after a…

The triumphant return of Duchamp’s “readymade” in the 1960s and its acceptance as a form of art making in the 1980s, is thought of as marking the final…

Saul Ostrow on Paul Ramirez Jonas's optimistic quest for inventiveness and adventure.

David Clarkson is an abstract painter but not a purist. He is part of a new breed of painters who no longer hold painting in esteem.

Thomas Nozkowski’s paintings sit between the authentic and the fabricated. This is because they are a product of his struggle against the entropy of…

David Craven applies tradition and non-traditional materials and processes to two seemingly opposite and divergent preoccupations.