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Sarah Larson

Sarah Larson

Staff Writer at The The New Yorker

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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

newyorker.com

Jim Nollman’s Orca-stra

The sound artist spent thirteen years playing guitar alongside singing whales in British Columbia. Now he’s releasing their collaboration, on “Orcas’ Greatest Hits.”
newyorker.com

The Pyrrhic Victories of “House of the Dragon”

Season 3 of “House of the Dragon” ends with yet more bloodshed and less of the charm that once made Westeros worth visiting.
newyorker.com

The Sunlit Joylessness of Netflix’s “Little House on the Prairie”

The new adaptation, though visually exquisite, swaps the story’s much-loved comfort for dutiful tedium.
newyorker.com

What We’re Reading This Summer: Pocket Reads

New Yorker writers name their favorite short books.
newyorker.com

Mariska Hargitay Trades Her Badge for Confetti

Mariska Hargitay Trades Her Badge for Confetti
newyorker.com

Oneohtrix Point Never’s Sense of the Uncanny

Also: Sarah Larson’s latest podcast picks, “The Rocky Horror Show” and “The Balusters” on Broadway, the French singer Oklou, and more.
newyorker.com

Daphne Rubin-Vega Comes Home

Strolling through Hell’s Kitchen, the actress recalls old celeb sightings (Jane Fonda! Donald Sutherland!) on her way to playing the swaggering Mr. Zero in “The Adding Machine,” Off Broadway.
newyorker.com

What Wallace Shawn Did Before His “Moth Days”

What Wallace Shawn Did Before His “Moth Days”
newyorker.com

Between Sting and the Deep Blue Sea

The Police front man’s 2014 musical, “The Last Ship,” was inspired by his gritty working-class childhood in England. Now a revamped production—featuring Shaggy—is docking at the Metropolitan Opera.
newyorker.com

Matthew Schaefer, Hockey’s Youngest (and Nicest) Big Shot

The eighteen-year-old Islander was last year’s No. 1 pick in the N.H.L. draft. On a recent day off, he shoots a commercial, chats with Tom Brady, and raves about babysitting.
newyorker.com

In “A Knight of the Seven Kingdoms,” Character Development Returns ...

There’s a lot of grime and grunting, but the show is saved by its two endearing leads.