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Sarah Larson

Sarah Larson

Staff Writer at The The New Yorker

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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

newyorker.com

What a Right-Wing Militia Sounds Like, from the Inside

Bensinger is now at the Times, Garrison at the L.A. Times, but in 2020, when this story begins, they worked together at BuzzFeed News. (The series was produced by Campside Media and Sony Music Entertainment.) The podcast emerged from three years of their reporting on right-wing extremism. In April, 2020, armed constituents held an anti-lockdown protest at Michigan’s state capitol; a few months later, in October, Bensinger and Garrison reported on the revelation of the kidnapping plot. After the…
newyorker.com

Waking Up to a New York City Earthquake - The New Yorker

On First Avenue, know-it-alls were out in full effect, and clusters of strangers were invoking California. “On the top floor it felt like a big truck,” a woman announced. “But as if it could actually move the building?” “I was at my job on Sixteenth Street,” another woman said. “I’m from California. I was taught, especially in brick buildings, to go outside.” The group discussed building structures in the East and West Village. “All the tenement buildings, they’re all, like, done for, in any kin…
newyorker.com

Slick Rick, Museum Consultant - The New Yorker

Walters, who rose to fame in 1985 with Doug E. Fresh and the Get Fresh Crew (“La Di Da Di,” “The Show”) and became one of hip-hop’s most sampled artists, spent his adolescence in the Bronx, after moving there from southwest London. The royalty motif “came from an English upbringing,” he said. The monarchy, sure, but also “Walt Disney, Cinderella stories, the castle, the Snow Whites, love stories, the Sleeping Beauties, the prince comes with the slipper, Robin Hood, the jesters. It’s all the same…
newyorker.com

When the C.I.A. Turned Writers Into Operatives

The series takes its name from the Orwell quote “All art is propaganda . . . on the other hand, not all propaganda is art”—an idea, Walker tells us, perhaps best expressed by the 1956 film version of Orwell’s novel, which was “secretly made by the C.I.A.” (This is a truthful simplification.) We hear old newsreel audio describing the film’s glamorous London première, where there were evening gowns, tuxedos, and people dressed as Thought Police. The novel, we recall, is about a totalitarian future…
newyorker.com

Outside the Trump Courthouse, Times Are Crazy and People Are Strange

All week, the scene outside the courthouse had reflected the uneasy surreality of the scene inside it. Robert De Niro showed up to stump for Biden, and then an artist showed up to display a painting of Trump knocking De Niro out, “Raging Bull” style. One day, I’d sat on a park bench next to a pile of mysteriously abandoned notebooks, one open to a handwritten list that read “10 Things to Keep Stocked in Case the Bottom Falls Out in NYC.” Some items involved apps and chargers; two were “A small s…
newyorker.com

Brad Pitt Likes It Softer

“I looked at him and said, ‘What are you doing? Are you going golfing? You look like a leprechaun,’ ” she recalled. “And he said, ‘No, I just need more softness in my life.’ ” Two days later, while awake, she told Pitt about the dream. “And he said, ‘That’s strange, because on Tuesday I told my stylist, “I need more green cashmere in my life. I need more softness.” ’ ” Sat Hari knew that this was important, and she had a green cashmere shirt made for him. It was a hit, and they started God’s Tru…
newyorker.com

Ira Glass Hears It All

Glass, the son of an accountant father and psychologist mother, grew up in Baltimore with his two sisters. As a kid, he liked to go to the theatre with his family, loved comedy, put on shows in the basement; in high school, he performed in musicals and dabbled in magic. He started college at Northwestern, and worked at NPR in the summers. He eventually graduated from Brown, where he studied semiotics, then returned to NPR, where he spent the next seventeen years cutting tape and reporting and pr…
newyorker.com

The Plight of the Political Satirist

How Ruben Bolling, of “Tom the Dancing Bug,” finds the humor in a volatile news cycle.
newyorker.com

Doug Emhoff Takes His Gen X Energy on the Road

On the trail, Emhoff has made loving music, and his wife, look like a campaign in itself. “If he’s a Cure fan, I’m gonna die,” one rallygoer said.
newyorker.com

James Dyson Moves Beyond the Air-Whooshing

At his new flagship store in SoHo, the British billionaire and vacuum magnate celebrates futuristic headphones and mushroom-enhanced hair-styling products.
newyorker.com

The Mystery of Three Hundred Bodies in the Woods

The podcast “Noble,” about severe malpractice at a Georgia crematorium, shows that even the most shocking of horror stories can be sensitively told.