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Sarah Crompton

Sarah Crompton

Freelance Writer and Broadcaster / Chief Theatre Critic at WhatsOnStage.com

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Influence score
49
Location
United Kingdom
Languages
  • English
Covering topics
  • Art
  • Books
  • Media
  • Music
  • Entertainment

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Recent Articles

whatsonstage.com

Ballet Shoes at the National Theatre review – springs from page to stage with panache

The world premiere stage adaptation, directed by Katy Rudd, runs on the Olivier stage until 22 February
whatsonstage.com

Twelfth Night at the Orange Tree Theatre – review

Artistic director Tom Littler’s 1940s-set production runs until 25 January
whatsonstage.com

The Importance of Being Earnest review – Ncuti Gatwa and Sharon D C...

Max Webster’s revival of the Oscar Wilde classic runs at the Lyttelton Theatre until 25 January – and will then be screened in cinemas
whatsonstage.com

King James at Hampstead Theatre – review

Rajiv Joseph’s play heads to north London
whatsonstage.com

Last scene Noël Coward wrote to receive its world premiere this month

The passage will be presented as part of the special A Marvellous Party event at the Prince of Wales Theatre
whatsonstage.com

Noël Coward was an angry young man

Find out why Judi Dench, Cush Jumbo, Derek Jacobi and more are lining up to celebrate the playwright
whatsonstage.com

Barcelona West End review – Lily Collins and Álvaro Morte are revel...

Bess Wohl’s new play, directed by Lynette Linton, runs until 11 January at the Duke of York’s Theatre
whatsonstage.com

The Forsyte Saga: Parts 1 and 2 at the Park Theatre – review

Entitled Irene and Fleur, both parts run in rep at the north London venue until 7 December
whatsonstage.com

The Other Place at the National Theatre review – Emma D’Arcy and To...

Alexander Zeldin’s new play runs until 9 November in the Lyttelton Theatre
whatsonstage.com

Roots and Look Back in Anger at the Almeida Theatre – Angry and You...

The two plays run alongside each other in repertory until 23 November
whatsonstage.com

Coriolanus starring David Oyelowo at the National Theatre – review

Lyndsey Turner’s production runs until 9 November