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Sam Marlowe

Sam Marlowe

Freelance Arts Journalist at The Stage

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Location
United Kingdom
Languages
  • English
Covering topics
  • Entertainment
  • Music

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Recent Articles

thestage.co.uk

The Fear of 13 review

With direction from Justin Martin, Adrien Brody is astonishing in this miscarriage of justice docudrama 
thestage.co.uk

Coriolanus review at the National Theatre, London, directed by Lynd...

David Oyelowo delivers an engaging central performance in a take on Shakespeare’s Roman tragedy, directed by Lyndsey Turner and also featuring Stephanie Street, Jordan Metcalfe, Pamela Nomvete, Kobna Holdbrook-Smith and Kemi-Bo Jacobs
thestage.co.uk

Waiting for Godot review

Ben Whishaw and Lucian Msamati give precision-tooled performances in a delicate and desolate production of Samuel Beckett’s seminal drama
thestage.co.uk

The Real Thing review

Revival of Tom Stoppard’s brainy comedy is slick, persuasively acted and too clever by half
thestage.co.uk

Next to Normal at Wyndham’s Theatre, London starring Caissie Levy a...

Tom Kitt and Brian Yorkey’s tough-minded musical transfers triumphantly to the West End, and features a phenomenal lead performance from Caissie Levy
thestage.co.uk

The Constituent review

Anna Maxwell Martin and James Corden star in a vivid state-of-the-nation snapshot from Joe Penhall and directed by Matthew Warchus
thestage.co.uk

Spirited Away review

John Caird’s stage adaptation of Hayao Miyazaki’s Oscar-winning Studio Ghibli film falls short of enchantment
thestage.co.uk

Machinal review at the Old Vic, London from Sophie Treadwell and st...

Sophie Treadwell’s astonishing 1928 Expressionist masterpiece comes to London with a phenomenal central performance from Rosie Sheehy
thestage.co.uk

The Comeuppance review

Directed by Eric Ting and starring Tamara Lawrance, Katie Leung and Anthony Welsh, this eerie drama of mortality and memory from Branden Jacobs-Jenkins exerts an insidious fascination
thestage.co.uk

Underdog: The Other Other Brontë review

Gemma Whelan, Rhiannon Clements and Adele James star in writer Sarah Gordon and director Natalie Ibu's larky, surface-skimming drama about sibling rivalry between the famous literary sisters
thestage.co.uk

Long Day’s Journey Into Night review

Brian Cox and Patricia Clarkson are tremendous in Jeremy Herrin's production of Eugene O’Neill's hefty American classic
thestage.co.uk

MJ the Musical review

MJ the Musical review at the Prince Edward Theatre, London. The Michael Jackson jukebox biomusical by Lynn Nottage and Christopher Wheeldon, starring Myles Frost centred around the 1992 Dangerous tour
thestage.co.uk

Opening Night review at Gielgud Theatre, London, starring Sheridan ...

Sheridan Smith struggles to illuminate this weird new musical from Ivo van Hove and Rufus Wainwright based on John Cassavetes’ 1977 film
thestage.co.uk

Red Pitch review at @sohoplace, London, by Tyrell Williams and Dani...

Tyrell Williams' exuberant drama of teenage male friendship triumphs in this West End transfer from the Bush
thestage.co.uk

Harry Clarke review

Billy Crudup dazzles as an imposter with an identity crisis in this slight but sinister monologue written by David Cale and directed by Leigh Silverman
thestage.co.uk

Hadestown review at Lyric Theatre, London from Anaïs Mitchell and R...

Anaïs Mitchell and Rachel Chavkin’s mythological musical is an intermittently stunning trip down a road to nowhere, starring Grace Hodgett Young, Zachary James, Melanie La Barrie, Gloria Onitiri and Dónal Finn
thestage.co.uk

The Picture of Dorian Gray review

Sarah Snook of Succession fame is astonishing in this dazzling adaptation of Oscar Wilde’s novel, directed by Kip Williams
thestage.co.uk

Just for One Day review at Old Vic, London by John O’Farrell

Shamelessly sentimental jukebox musical tribute to Bob Geldof and the groundbreaking Live Aid charity concert
thestage.co.uk

Kin review at the National Theatre by Amit Lahav

Affecting, impressionistic welter of migration stories from physical theatre innovators Gecko
thestage.co.uk

The Enfield Haunting review at the Ambassadors Theatre, London

Catherine Tate and David Threlfall struggle to enliven this flat-footed retread of the famous 1970s poltergeist case
thestage.co.uk

Cold War review at the Almeida Theatre by Rupert Goold

Piercingly beautiful but elusive melancholy love story, with gorgeous music from Elvis Costello