Read our review of Paddington the Musical at the Savoy Theatre: Irresistible ursine antics make a hit of this new musical based on Michael Bond’s creation
Read our review of Evening All Afternoon at the Donmar Warehouse: fine performances lend substance to Anna Ziegler’s slight, sensitive Covid-set two-hander
Read our review of John Proctor is the Villain at London’s Royal Court: Broadway high-school hit reframing Miller’s The Crucible captures the thrill and fury of teenage femininity
Read our review of The Waves at Jermyn Street Theatre, London: playful and sensitive adaptation of Virginia Woolf’s seminal novel has a powerful emotional undertow
Read our review of Beetlejuice the Musical at the Prince Edward Theatre, London: musical based on Tim Burton’s cult movie is tacky, draining, heartless and pointless
Read our review of The P Word at the Bush Theatre, London: Waleed Akhtar’s hit two-hander about love, friendship, identity and acceptance triumphantly returns
Read our review of Under the Shadow at the Almeida Theatre, London: adaptation of Babak Anvari’s horror thriller set during the Iran-Iraq war struggles to grip
