Richard Sasanow

Though only a handful of Emily Dickinson’s hundreds of poems were published during her lifetime (more than 1700 others were found posthumously), she is best known as a risk-taking writer whose work straddled the line between the straightforward and the more abstract. Inaddition, she has long been an inspiration to composers who clearly found the music in her work. The most recent of these was heard at Carnegie Hall late last week in the local premiere of EMILY—NO PRISONER BE, a song cycle by Kevin Puts that looks long and deep into the eyes of the poet.