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Richard Lawson

Richard Lawson

Chief Critic at Vanity Fair

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Location
United States
Covering topics
  • Entertainment
  • Media
Languages
  • English
Influence score
73
Media Database
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Richard Lawson
vanityfair.com

‘Nickel Boys’ Is a Bold Experiment in Perspective

A lauded novel is artfully adapted in director RaMell Ross’s film.
vanityfair.com

Why ‘Survivor’ Is Still the Best Competition Show in the Game

Jeff Probst stops by the ‘Still Watching’ podcast to reflect on a 47-season phenomenon.
vanityfair.com

‘Monsters: The Lyle and Erik Menendez Story’ Has One Great Episode,...

The show surrounding that showcase for Cooper Koch’s Erik Menendez is a confused mess.
vanityfair.com

‘His Three Daughters’ Is One of the Best Dramas of the Year

Carrie Coon, Natasha Lyonne, and Elizabeth Olsen are remarkable in Azazel Jacobs’s poignant look at familial grief.
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Who Needs Batman When We Have ‘The Penguin’?

Colin Farrell is a force to be reckoned with in HBO’s compelling crime series.
vanityfair.com

‘American Sports Story’ Compellingly Tracks the Rise and Fall of Aa...

A new anthology series kicks off with football’s second-most famous murder case.
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‘Conclave’ Is a Compelling Papal Thriller That Makes One Major Misstep

Ralph Fiennes oversees the selection of the new pope in a film from the director 'All Quiet on the Western Front.'

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vanityfair.com

Hugh Grant Is an Unholy Creep in ‘Heretic’

A claustrophobic horror movie tackles religion, with a particularly erudite villain.
vanityfair.com

Florence Pugh Shines in the Artful Romantic Drama ‘We Live in Time’

A tearjerker with a smart streak provides a sterling star vehicle for one of the great actors of her generation.
vanityfair.com

A Brutally Good Marianne Jean-Baptiste Powers Mike Leigh’s 'Hard Tr...

The actor and director, who made 'Secrets & Lies' together in 1996, deliver another piercing character study.
vanityfair.com

Armageddon, but with Singing: Tilda Swinton and Michael Shannon Fac...

In Joshua Oppenheimer’s sometimes moving musical, a wealthy family spends the post-apocalypse underground.