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Richard Brody

Richard Brody

Movie-Listings Editor at The New Yorker

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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

newyorker.com

Nia DaCosta’s “Hedda” Shoots Straight

This compelling adaptation of Ibsen’s classic play, starring Tessa Thompson and moving the action to nineteen-fifties England, expands and arguably deepens the original.
newyorker.com

Kelly Reichardt’s “The Mastermind” Reinvents the Heist Movie

This action drama, set in 1970 and starring Josh O’Connor, brings political conflict and existential comedy into the finely observed details of crime and escape.
newyorker.com

Art and Life in Richard Linklater’s “Blue Moon” and “Nouvelle Vague”

The director’s new films—about Lorenz Hart and Jean-Luc Godard—form a kind of diptych, but the contrasts are as important as the similarities.
newyorker.com

The Real Battle of “One Battle After Another”

Paul Thomas Anderson’s spectacular, exquisitely detailed fantasy of revolution and resistance, starring Leonardo DiCaprio, looks to history for visions of hope.
newyorker.com

What to See in the 2025 New York Film Festival’s Second Week

This year’s Revivals section spotlights a hidden classic by a major modern filmmaker whose new movie is equally great.
newyorker.com

“The Smashing Machine” Pulls Its Punches

Despite Dwayne (the Rock) Johnson’s taut performance, Benny Safdie’s bio-pic about the mixed-martial-arts fighter Mark Kerr proves distanced and passionless.
newyorker.com

Richard Brody’s New York Film Festival Picks

Also: Kelefa Sanneh’s latest obsessions, the supernatural fantasy of “Weather Girl,” a Franz Liszt piano competition, and more.
newyorker.com

What to See in the 2025 New York Film Festival’s First Week

This year’s edition teems with artistically ambitious movies that confront politics and mores in a wide variety of formats, from historical spectacles to intimate confessions.
newyorker.com

“Once Upon a Time in Harlem” Is a Film for the Ages

William Greaves’s great historical documentary, centered on a 1972 reunion of Harlem Renaissance luminaries, is still awaiting completion.
newyorker.com

“A Big Bold Beautiful Journey” Is None of Those Things

Kogonada’s new fantasy film, starring Colin Farrell and Margot Robbie, suggests that a great directorial talent is losing his way.
newyorker.com

“Megadoc” Shows Francis Ford Coppola Going for Broke on “Megalopolis”

Mike Figgis’s documentary reveals the risky freedom of Coppola’s approach to his self-financed political fantasy.