Rhonda Garelick

Art historian and curator Gaudêncio Fidelis recalls the precise moment when he learned that Queermuseu: Cartographies of Difference in Brazilian Art, the art exhibition he was curating in Porto Alegre, […]

Where is the pastel-clad cipher of the Trump administration right now?

From Ocean’s 8 to Thelma & Louise to 9 to 5, Amazon, HBO, Netflix, and Hulu have you covered.

Watching Her Burn  The Cut

The White House co-opts the language of #MeToo to punish a CNN reporter.

Sometimes, fashion’s greatest power is its stealth -- its ability to turn up in unlikely places, on unlikely people, and in the smallest details. Consider the case of Ruth Bader Ginsburg...

The clothes the first daughter made reflected the same aspirational branding that brought her father to power.

From the significance of Carrie’s tutu, to reviewing the Sex and the City bus tour.

Catalogue raisonnés, by surveying the totality of the work of a single artist, have traditionally served as resources for specialists, such as art historians and dealers.

Then, she floats down to occupy the new spaces she has opened up—and often those spaces are actually windows.

“Drunk in Love” dropped along with thirteen other tracks at midnight on December 13, 2013, and promptly got stuck in all of our heads. Its freedom and ecstasy were infectious.

Downtempo skating, unhurried kissing, slow dancing With broken rhythm like Surfing on Finnegans Wake. Incremental footsteps breeding images that perch So proudly on the horizons like imaging delphi.

Kicking off their first-ever North American tour in support their new album, English Tapas (Rough Trade), Sleaford Mods of Nottingham, U.K. appeared in late March before a sold-out crowd at Warsaw in Greenpoint, Brooklyn.

Don’t be too quick to dismiss the Twitter war launched by Breitbart’s John Carney over the cover of Vogue’s September issue, which features Jennifer Lawrence in a red satin slip dress with the Statue of Liberty in the background.

Ariel Goldberg borrows the title of their book-length essay on queer art, The Estrangement Principle, from the experimental writer Renee Gladman, who edited the “dyke zine” Clamour from 1996 to 1999.

Straddled between 19th-century France and 21st-century America, The Arcades: Contemporary Art and Walter Benjamin at the Jewish Museum is an enormously ambitious undertaking. An elaborate visualization of Benjamin’s monumental last work of writing, the exhibition expands upon his critique of Parisia…

Carrie Lorig is the author of The Pulp vs. The Throne (Artifice Books). Her chapbooks include The Book of Repulsive Women, which was selected by Lily Hoang for the Essay Press Chapbook Contest, Reading as Wildflower Activist (H_NGM_N), and NODS (Magic Helicopter Press). She is the curator for the Li…

I like stories (and I mean here both short stories and novels) where dramatic events happen early, and then those events are made worse—or at least more complicated—by the inept ways characters choose to deal with them. I like to watch people continually screw things up. That’s the kind of story I l…

In anticipation of her upcoming performance for the Whitney Independent Studies Program Studio Exhibition (May 20 – June 3, 2017), I sat down with Emma at her ISP studio to talk about the evolution of her practice and the state of critical art in light of the alt-right’s embrace of postmodern perfor…

It is in this serious light that we have to look at the question of the growing army of the unemployed. We have to stop looking for solutions in pump-priming, featherbedding, public works, war contracts, and all the other gimmicks that are always being proposed by labor leaders and well-meaning libe…