Rendy Jones

Caton discusses the process of finding Sammie, what it meant to embody the film’s central themes of balancing religious values with the pursuit of the "Black American dream,"  and his collaborative experience of co-writing with Göransson and Smith.

Director Geeta Gandbhir and I talked about how the movie challenges Florida's Stand Your Ground" laws, the decision to employ police body camera footage to create a narrative without re-traumatizing the community, and the film's reception in Black communities.

Woo and I spoke about why this was Kuku's first feature, the film's imaginative yet hyperrealistic aesthetic, and his hopes that viewers—especially families—would learn to embrace life's flaws.

Ugo Bienvenu discusses writing child characters as complex individuals, elaborated on the visual influences for the film's two contrasting future worlds, and his personal experiences living abroad influencing the film's vivid, colorful look.

Despite Hudson's commendable work in 'Song Sung Blue' this musical biodrama is a never-ending disaster.

Even though I miss Hosoda's simple work, 'Scarlet' is another stunning effort a visionary whose stories are frustratingly overambitious but still captivating.

Haha, bad script go 101010101010101010101010101.

Kent Jones’ entertaining and scathing contemporary adaptation of 1895 fable about a an older poet and his new and younger adorning fans earns a snap or two.

'One Battle After Another' is an audacious and ambitious epic that tackles a huge range of topics under his commercialized lens yet stands among Paul Thomas Anderson's best works to date.

A Peele-wannabe flick with little on its mind and nothing in its soul.