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Rachel Syme

Rachel Syme

Staff Writer at The New Yorker

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Influence score
59
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Location
United States
Languages
  • English
Covering topics
  • Media
  • Entertainment

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Recent Articles

newyorker.com

A Holiday Gift Guide: Treasures That Are Old, or Old at Heart

A list of things to give that are secondhand or—if they must be new—emulate the craftsmanship and quality of an earlier time.
newyorker.com

Betsy Aidem, Working Woman

The actress stars in “Liberation,” a play about feminist consciousness-raising, set in 1970. At the New York Historical, she zeroes in on the roots of the show’s nude scene.
newyorker.com

The Best of Carol Burnett

From the daily newsletter: at ninety-two, Burnett is as sharp and funny as ever.
newyorker.com

Carol Burnett Plays On

The ninety-two-year-old comedy legend has influenced generations of performers. In a string of recent TV roles, she has been co-starring with some of her closest comedic heirs.
newyorker.com

Brittany Howard and Alabama Shakes Return with Audacious New Music

Also: Julio Torres’s “Color Theories,” Tiona Nekkia McClodden’s paintings of bondage, Rachel Syme’s stylish movie picks, and more.
newyorker.com

Miley Cyrus Finally Makes an Album Worthy of Her Voice

With her new album, “Something Beautiful,” the pop star finally has material worthy of her instrument.
newyorker.com

John Singer Sargent’s Scandalous “Madame X”

Also: the skateboarding play “Bowl EP,” the off-kilter divas Grace Jones and Janelle Monae; Jamie Lee Curtis’s early “Love Letters,” and more.
newyorker.com

Carrie Bradshaw Is Best Enjoyed in the Summer

From the daily newsletter: a look at the new season of “And Just Like That . . .” Plus: Susan B. Glasser on Elon Musk’s exit; and are the best flour tortillas made in Kansas City?
newyorker.com

Rachel Syme on Kennedy Fraser’s “As Gorgeous as It Gets”

The article, about the launch of a new perfume, treats what might be considered a frivolous subject with exhaustive attention.
newyorker.com

The Evolution of Dance Theatre of Harlem

Also: Rachel Syme on the latest in charms, the Chicago rapper Saba, turtle races in Bed-Stuy, Caspar David Friedrich paired with Schumann, and more.
newyorker.com

“Mayhem,” Reviewed: Lady Gaga’s Return to Form

Her new album is a work of self-citation, rummaging around in Gaga’s own past for inspiration. It’s also, somehow, the freshest collection of songs she has released in years.