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Rachel Saltz

Rachel Saltz

Dance and Classical Music Editor at The New York Times

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Influence score
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Phone
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Location
United States
Languages
  • English
Covering topics
  • Music
  • Entertainment

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Recent Articles

nytimes.com

‘Gulabo Sitabo’ Review: This Old House, Lucknow Style (Published 2020)

Amitabh Bachchan and Ayushmann Khurrana star in this charmingly low-key Hindi comedy.
nytimes.com

‘Panga’ Review: Put Me in Coach, I Have Life Experience (Published ...

This Hindi movie tells the story of a former athlete, now a working mother, who sets out to recapture her former glory.
nytimes.com

‘Dabangg 3’ Review: A Hero From the School of Knock ’em Hard (Publi...

In this Bollywood action flick, Salman Khan is a one-man wrecking crew. When not knocking heads, he dances.
nytimes.com

‘Chhichhore’ Review: In Mumbai, Good Old-Fashioned Rules Days (Publ...

Nitesh Tiwari’s follow-up to “Dangal” has a sweetly bland message and not much fizz.
nytimes.com

‘Saaho’ Review: Mayhem on an International Scale (Published 2019)

Prabhas cuts a path of destruction in this convoluted Indian action movie.
nytimes.com

‘Nureyev’ Review: His Life Was High Drama. This Film Could Use More...

A new movie about the superstar ballet dancer has a familiar documentary problem: great story, not-so-great storytelling.
nytimes.com

‘Kalank’ Review: A Bollywood Love Story in the Shadow of Partition ...

Abhishek Varman’s maximalist melodrama delivers spectacle (some of it mind-numbing) but fails to tell a gripping story.
nytimes.com

‘Super Deluxe’ Review: A Tamil Film, With a Cosmic Indie Vibe (Publ...

Thiagarajan Kumararaja’s second feature, with multiple spiraling plots, can’t sustain its raffish, oddball tone for three hours.
nytimes.com

‘Total Dhamaal’ Review: A Bollywood Caper Stoops to Amuse (Publishe...

It’s all about the money and the numbskull gags in this third installment of a popular series.
nytimes.com

Review: A Lesbian Romantic Comedy, Sort of, by Way of Bollywood (Pu...

The romance is pushed to the edges of “Ek Ladki Ko Dekha Toh Aisa Laga” so lessons of tolerance can take center stage.
nytimes.com

Review: ‘Padmaavat’ and All That Useless Beauty (Published 2018)

It inspired protests and threats of violence in India, but “Padmaavat” is something of a bore: a 3-D epic with the depth of a children’s pop-up book.