Philip Kennicott

Art has a way of disappearing. Will the GSA’s plan to dump federal buildings speed the process?

As we await a revised list of properties the GSA deems “non-core,” a critic ponders the fate of Washington’s historic landscape.

A reopened New York institution, an enduring Los Angeles museum and much more bring us spring’s must-see exhibitions.

Trump’s takeover could be devastating for the Center’s finances, and its expressive freedom.

President Trump’s plans to police DEI language and control the Kennedy Center show an intent to use the government’s enormous coercive power over the cultural sector.

Washington’s landscape is being shaped by executive order and the president’s love of faceless, monolithic buildings.

Adrien Brody plays an architect with grand visions. We need that ambition.

“Edges of Ailey” at the Whitney is a well-deserved canonization of one of the 20th century’s greatest dance artists.

On the internet, images of Luigi Mangione challenge the moral compass.

The Neue Galerie surveys a lesser-known body of the Austrian painter’s work.