Philip Kennicott

In “Siena: The Rise of Painting 1300-1350,” time paradoxically stands still and rushes forward.

The Post’s art critics pick their favorite 10 smaller museums dotted across the country.

The Post’s art critics pick their favorite museums affiliated with colleges and universities across the U.S.

The Post’s art critics rank the best art museums in the United States, based on the breadth and depth of their art collections and exhibitions.

Marginalized for decades, key works by some of the country’s most renowned painters finally take their rightful place in the museum’s permanent collection.

The artist’s first solo show at the Museum of Modern Art grapples with the work he made after “The Americans.”

‘Paris 1874: The Impressionist Moment’ puts the origins of an art movement in proper context.

Column | A master of melodrama, now forgotten, but never more relevant

Sonya Clark’s “The Descendants of Monticello” celebrates the house where Jefferson framed America’s independence.

He’s the subject of one of my favorite paintings. But I don’t get naming a motel after him.