Peter Debruge

Director Nia DaCosta offers an edgy, overheated interpretation of Henrik Ibsen’s 1891 play, which injects race and queer identity into the character.

With Warner Bros. for sale, what will become of the iconic studio that champions auteurs like Ryan Coogler, Paul Thomas Anderson and Clint Eastwood?

'KPop Demon Hunters' duo Maggie Kang and Chris Appelhans explain how K-pop music, K-dramas and anime came together in Netflix's most-streamed movie.

Jafar Panahi warns that the repressive history of Iran forebodes 'the future of many places.'

See movie poster artist Drew Struzan's best work, including Star Wars, Harry Potter, Indiana Jones and more.

With Netflix's 'The Twits,' director Phil Johnston takes the rough sketch of a mean-spirited couple and imposes fart jokes and feel-good life lessons.

Director Scott Derrickson brings an evocative analog texture to keep the scares coming from Ethan Hawke's devil-masked killer in 'The Black Phone 2.'

The best ideas of 'Tron: Ares' compete with Joachim Rønning’s fetishistic focus on classic 'Tron' mythology, which looks and sounds great in Imax 3D.

'Pirates of the Caribbean' director Gore Verbinski makes a raucous comeback with a confrontational sci-fi comedy that can’t decide if society is worth saving or scolding.

There's something inherently novel in experiencing a haunted-house movie through the eyes of a dog who senses a malevolent force stalking his master.