Oussama Zahr

Meyerbeer, one of the 19th century’s most popular composers, is out of fashion today. But his work is receiving a rare revival at Bard College.

Davóne Tines plays Paul Robeson in a solo show on Little Island that weaves together the words and music of this American hero to tell his story.

Strauss had seemingly impossible standards for a soprano in “Salome.” But Davidsen, making her role debut in Paris, is exactly what he intended.

Renée Fleming, Kelli O’Hara and Joyce DiDonato reprised their roles in Kevin Puts’s adaptation of the award-winning novel and film.

Dudamel, the New York Philharmonic’s incoming music and artistic director, stepped in after a guest conductor fell ill.

The opera-oratorio, an alternate Nativity story, featured a flurry of Met debuts, including the director Lileana Blain-Cruz and the conductor Marin Alsop.

In a program of Tchaikovsky and Rachmaninoff, a guest conductor coaxes a sumptuous sincerity from the orchestra’s musicians.

The tenor sang the role of Ruggero in a revival of Puccini’s opera that was performed with such restraint, it verged on overly careful.

On Friday, the pianist Mitsuko Uchida and the tenor Mark Padmore illuminated the bleakness of Schubert’s genre-defining song cycle at Zankel Hall.

Bartlett Sher’s middling production returned to the Metropolitan Opera, with a glorious Benjamin Bernheim and Nadine Sierra in the title roles.