Niela Orr

Their films have gone viral for their awful production values. But their success says fascinating things about what comes after prestige TV.

He was plucked from a mellow, normal life and became the heart of "Euphoria."

As their male counterparts turn depressive and paranoid, it’s the women who are having all the fun.

A new edit of ‘The French Connection’ removes a racial slur. But nit-picking old artworks for breaking today’s rules inevitably makes it harder to see the complete picture.

The sitcom has tweaked the mockumentary formula to teach an invaluable lesson about the value of life off-camera.

In video after viral video, fast-food employees keep being forced to punch above their weight. You can find the disquieting energy of these clips in classic art, too.

Donald Glover’s masterpiece was a different kind of prestige TV. It never explained itself, and was all the better for it.

With a face that launched a thousand GIFs, the actress is bringing her expressive range to “Nope,” Jordan Peele’s latest social thriller.

With his bravura meta-musical, “A Strange Loop,” the playwright is showing Broadway audiences something they have never seen before.

“Life of the Party” is a song of grief — for West's mother, for his marriage, for dead rappers.