Naveen Kumar

The Irish Rep ends its season-long Brian Friel survey with the story of a blind woman who undergoes an operation to try to restore her sight.

Laura Winters’s romantic comedy pays careful attention to the dynamics of living with disabilities.

Restaurant patrons and staff members are oblivious to the impending apocalypse in Abe Koogler’s new show at Playwrights Horizons.

In David Adjmi’s new play, with songs by Will Butler, a ’70s band’s success breeds tension, and punches up the volume on Broadway.

The musical traces the story of Black twin sisters who pass as white, and exact their own form of justice for the crime of slavery, in 19th-century Texas.

In his solo show, the screen and stage star shines a light into his formative dark corners and on the people who made an impression.

In Jamie Lloyd’s revival of Lucy Prebble’s play, Paapa Essiedu and Taylor Russell are a couple who fall in love during a pharmaceutical trial.

A sleekly designed production, starring Cynthia Nixon and Taylor Trensch, aims to skewer the art world but falls flat.

The beloved 1975 musical returns to Broadway this spring, with nods to Black culture like second-line parades and Underground Railroad quilts.

Two deadly standoffs at Wounded Knee are the bookends for a show that manages to narrate a violent history with moments of light and humor.