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Naveen Kumar

Naveen Kumar

Freelance Theater Critic at The New York Times

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Influence score
53
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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

nytimes.com

‘How Long Blues’ Review: Twyla Tharp in Overdrive at Little Island

Her frenetic new dance-theater work, which opens a new festival at the new park on the Hudson, includes references to Camus and music by T Bone Burnett.
10 months ago
nytimes.com

‘Stereophonic’ Review: Hitmakers Rendered in Sublime Detail

In David Adjmi’s new play, with songs by Will Butler, a ’70s band’s success breeds tension, and punches up the volume on Broadway.
12 months ago
nytimes.com

‘Snatch Adams’ Review: Gross-Out Humor for Not-So-Easily-Shocked Li...

Becca Blackwell and Amanda Duarte’s amorphous variety show aims to be a queer spectacle but is mostly improv strung together with non sequiturs.
over 1 year ago
nytimes.com

‘1 + 1’ Review: She Just Wants to Be His Plaything - The New York T...

Stale views of gender dynamics power Eric Bogosian’s play about an aspiring actress caught in the clutches of a duplicitous man.
about 2 years ago
nytimes.com

Review: In ‘The Best We Could,’ the Players Follow Directions - The...

The playwright Emily Feldman structures this work like a personal GPS that plots the course of a family.
about 2 years ago
nytimes.com

Review: In ‘Leo Reich: Literally Who Cares?!,’ He’s Too Hot to Live...

Reich, a comedian and writer, transforms into the avatar of Gen Z disaffection in his taut, biting solo show at Greenwich House Theater.
about 2 years ago
nytimes.com

Review: In ‘La Race,’ a Fight Back From the Margins - The New York ...

Bleu Beckford-Burrell’s play about a City Council campaign aims to catalog a gamut of social ills and how Black women rise to meet them.
over 2 years ago
nytimes.com

‘The Bandaged Place’ Review: A Dance With His Devils

Evocative choreography and warm performances hold together Harrison David Rivers’s play about the slippages between desire and trauma.
over 2 years ago
nytimes.com

Review: In ‘Where the Mountain Meets the Sea,’ Missed Connections

A father and a son recall parallel journeys that reflect shared experiences of otherness in Jeff Augustin’s play, performed with music by the Bengsons.
over 2 years ago
nytimes.com

‘Sesame Street: The Musical’ Review: Everything’s A-OK (Published 2...

Jonathan Rockefeller’s Off Broadway production blends the charm and wit of the show’s early days with more modern characters.
over 2 years ago
nytimes.com

Review: In ‘The Butcher Boy,’ an Anti-Coming of Age Story

The new musical, based on the novel by Patrick McCabe, follows a boy in 1960s Ireland as he recounts a tale of childhood mischief and alienation.
over 2 years ago