Media Database
>
Natasha Tripney

Natasha Tripney

International Editor at The Stage

Contact this person
Email address
n*****@*******.coGet email address
Influence score
29
Phone
(XXX) XXX-XXXX Get mobile number
Location
United Kingdom
Languages
  • English
Covering topics
  • Editorial Page
  • Features/Lifestyle
  • Entertainment

View more media outlets and journalists by signing up to Prowly

View latest data and reach out all from one place
Sign up for free

Recent Articles

thestage.co.uk

Natasha Tripney: British plays are a huge cultural export. Why don’t we talk about that more?

There are many reasons British plays are so prevalent on the continent, but why is there no similar flow of European writing to UK theatres, asks Natasha Tripney
thestage.co.uk

‘Queer, wordy and big-hearted’: how Virginia Gay gave Cyrano a new ...

Fresh from success at the Edinburgh Fringe, Virginia Gay’s adaptation of Cyrano de Bergerac is opening in London. The Australian actor tells Natasha Tripney about transforming Edmond Rostand’s 1897 classic into a modern story about queer desire
thestage.co.uk

Meet NTGent’s new in-house artist – but Alva Ishii doesn’t really e...

Vital artistic experiment or dangerous sign of the times? As NTGent introduces its AI-created in-house artist, Natasha Tripney talks to the theatre company’s artistic leadership – and to Alva Ishii herself – about the concept, ethics and the future of theatre
thestage.co.uk

Forced Entertainment at 40: ‘We’re part of British theatre, but we’...

The experimental theatre company has a reputation for creating difficult, confrontational work, but the fact it is marking its 40th anniversary tells a different story about its ability to appeal to audiences. Artistic director Tim Etchells tells Natasha Tripney about the group’s evolution and its revolutionary rehearsal process
thestage.co.uk

Natasha Tripney: Not everything is equal when it comes to internati...

Belgrade International Theatre Festival 2024: Why does work from the Balkan region remain so rare on the European festival circuit, asks Natasha Tripney
thestage.co.uk

Can cult horror film Saint Maud haunt audiences as a stage play whe...

The genre is haunted by preconceptions, but Newcastle’s Live Theatre is determined show how much more lies beneath with its production of the 2020 film Saint Maud. Artistic director Jack McNamara and adapter Jessica Andrews talk to Natasha Tripney
thestage.co.uk

Kafka’s Metamorphosis: The Musical! With Puppets! review at Pleasan...

Slickly performed but incessantly glib musical inspired by the life of Franz Kafka
thestage.co.uk

Did You Mean to Fall Like That review at Pleasance Courtyard, Edinb...

Engaging monologue by Stephanie Martin about male mental health that would benefit from tauter direction
thestage.co.uk

Athens Epidaurus Festival – blending ancient theatre with new Greek...

The 2,000-year-old theatre of Epidaurus has, in recent years, gained a reputation as a platform for theatre from across the centuries and the globe as part of one of Europe’s biggest arts festivals. But a new showcase is putting new Greek theatre under the spotlight, too
thestage.co.uk

Jobsworth review at Pleasance Courtyard, Edinburgh

Tightly structured and often laugh-out-loud-funny modern workplace comedy from Isley Lynn and Libby Rodliffe
thestage.co.uk

Bellringers review at Roundabout @ Summerhall, Edinburgh

Richly imaginative if unfocused and overly whimsical debut play by Daisy Hall