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Naomi Fry

Naomi Fry

Staff Writer at The New Yorker

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Influence score
71
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Location
United States
Languages
  • English
Covering topics
  • Entertainment

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Recent Articles

newyorker.com

Life at the Edge of a Famous Family

Eleanor Coppola’s new memoir, “Two of Me: Notes on Living and Leaving,” explores the difficulties of having a celebrated director for a husband, and a celebrated director for a daughter.
newyorker.com

Art in the Age of Artificial Intelligence

A.I. tools are getting better at producing convincing images, text, and videos. Does that mean they can make art?
newyorker.com

Justin Trudeau and Katy Perry’s Teen-Age Dream

The pair, spotted together on a yacht, seemed to represent a romance for an era of celebrity politics, when a former President has Netflix deals and the current President is a reality star.
newyorker.com

Why Did We Love “To Catch a Predator”?

A new documentary explores how the show turned troubled individuals’ actions into a quasi-pornographic exhibit meant for an audience’s titillation.
newyorker.com

The Strange, Cinematic Life of Charlie Sheen

The actor’s new memoir and documentary offer little real vulnerability. But there is undeniable fun in his tales of bad behavior.
newyorker.com

Can Reality TV Redeem Jake and Logan Paul?

On their new show, “Paul American,” the controversial influencers try to show a softer side.
newyorker.com

Why Do We Want to Believe That Jim Morrison Is Still Alive?

The singer died in 1971. A new documentary series posits that he faked his death to escape the burden of fame, and is living in hiding.
newyorker.com

Naomi Fry on Jay McInerney’s “Chloe’s Scene”

In McInerney’s telling, Chloë Sevigny, then a young It Girl, was the font from which absolute cool flowed. She was New York.
newyorker.com

The Unsettling Cheer of “The Baldwins”

Alec Baldwin’s new married-with-children reality show is full of forced merriment. But tragedy lurks beneath the surface.
newyorker.com

A Reality Show to Watch This Week

A Reality Show to Watch This Week
newyorker.com

The Rise of the Passive Spectator

The famed twentieth-century photojournalist Weegee was just as fascinated with tragedy—fires, car crashes, murders—as he was with our desire to gawk.
newyorker.com

What We See in Lauren Sanchez’s Cleavage

The hemline index correlates the strength of the economy with women’s skirt lengths—minis in a bull market, midis in bear. In our sociopolitical moment, it could make more sense to consider what might be called the boob index.
newyorker.com

The Cruel Abstraction of “Beast Games”

On a competition show made by the YouTube sensation MrBeast, the people are faceless and the challenges are vicious.
newyorker.com

John Mulaney Tries Pirate Talk in an “S.N.L.” Reunion

“All In: Comedy About Love,” a collaboration between the comedian, his former writing partner Simon Rich, and the director Alex Timbers, brings lovelorn dogs, the Elephant Man, and babies to Broadway.
newyorker.com

What to Binge-Watch this Week

From the daily newsletter: couch-potato shows. Plus: what good is morality?
newyorker.com

“Babygirl” Never Really Makes a Mess

The relationship at the heart of a new erotic thriller, starring Nicole Kidman, doesn't explode power struggles; it exists within them.
newyorker.com

The Animals That Made It All Worth It

This year, it was hard to feel good about humans. Moo Deng, Crumbs, and Pilaf kept us sane.
newyorker.com

Conner O’Malley Is the Bard of the Manosphere

The comedian’s absurd, poignant work captures the lives of the kind of frustrated young men who helped Donald Trump win the election.
newyorker.com

Into the Phones of Teens

“Social Studies,” a documentary series by Lauren Greenfield, follows a group of young people, and screen-records their phones, to capture how social media has reshaped their lives.
newyorker.com

Even in Her Memoir, Melania Trump Remains a Mystery

The former First Lady’s new book, “Melania,” promises to draw back the drapery and expose the person behind the persona. It obscures more than it reveals.
newyorker.com

On the “Industry” Season Finale, Father Knows Best

The HBO show—the most thrilling offering currently on TV—zeroes in on the domineering masculine impulse that drives the world of finance.