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Miriam Gillinson

Miriam Gillinson

Theatre Critic / Freelance Copywriter at The Guardian - Arts & Culture

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Influence score
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Location
United Kingdom
Languages
  • English
Covering topics
  • Non-Editorial

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Recent Articles

theguardian.com

Zog and the Flying Doctors review – plucky princess and her crew take flight

Julia Donaldson and Axel Scheffler’s tale about an accident-prone dragon is brought to life with sparky rhymes, nuanced acting and high energy
theguardian.com

Musical theatre star Marisha Wallace: ‘It’s a powerful number when ...

Her career was almost ended by a vocal cyst, but – after a laying on of hands – it disappeared. Now this former church singer is upending musical stereotypes with a showstopping performance in Guys and Dolls
theguardian.com

Evita review – oh what a circus as musical gets bizarre update - Th...

Argentina’s Eva Perón is reimagined as a modern-day influencer in an incoherent production lacking context
theguardian.com

She Stoops to Conquer review – a jolly good Christmas comedy - The ...

There are perfectly pitched performances with just the right touch of pathos as Oliver Goldsmith’s play gets a festive staging
theguardian.com

Penelope Skinner on her #MeToo play: ‘We focus on perpetrators. I w...

Kristin Scott Thomas and Lily James take centre stage in the playwright’s new drama Lyonesse, which explores power, abuse, and why things haven’t changed as much as people hoped
theguardian.com

As We Face the Sun review – school trip is a warm-hearted homage to...

A young cast excels in this effervescent new play by Kit Withington, as young classmates reflect on a tragedy
theguardian.com

Playwright Sam Holcroft: ‘It felt like everyone else got a rulebook...

Her latest play, A Mirror, mixes her keen eye for human behaviour and her experiences in North Korea, but there’s another influence that the writer has never spoken about – her autism diagnosis
theguardian.com

‘Succession was like coming home’: Lucy Prebble on life inside TV’s...

The Enron playwright felt her career was floundering when the call came from Jesse Armstrong’s acclaimed series and changed everything. She talks about why writing is a lonely calling, and the problem with ‘grandparent-pleasing’ theatre
theguardian.com

Right Dishonourable Friend review – nepo baby MP lands in Lancashir...

Phoebe Batteson-Brown is archly comic as the clueless Perdita but it’s the subplot about a queer teenager and the hypocrisy of politics that has real depth to it
theguardian.com

The Oyster Problem review – the struggle to save Flaubert from hims...

In historian Orlando Figes’ rather too formal first play, the passionate romantic’s friends try to persuade him to be a little more worldly
theguardian.com

Perfect Show for Rachel review – a total delight

From a control desk, director Rachel O’Mahony pushes buttons for songs, scenes and games in a fun, carefully crafted show staged by Zoo Co