Media Database
>
Michael Toland

Michael Toland

Music Writer at Austin Chronicle

Contact this person
Email address
m*****@*******.comGet email address
Influence score
37
Phone
(XXX) XXX-XXXX Get mobile number
Location
United States
Languages
  • English
Covering topics
  • Music

View more media outlets and journalists by signing up to Prowly

View latest data and reach out all from one place
Sign up for free

Recent Articles

austinchronicle.com

SXSW Review: Jazz re:freshed Outernational Showcase Builds a Tradition of Innovation

Excitingly diverse UK scene returns to SXSW
austinchronicle.com

Review: Bob Hoffnar & the Mood Illusion, Things We Wonder: An Inter...

Deft experimental combo reworks Worst Album of All Time contender into avant-garde jazz
austinchronicle.com

Improvisational Music Curator P.G. Moreno: "I Feel the Most Confide...

His latest booking? Scandinavian jazz powerhouses Atomic on their final U.S. tour before disbanding.
austinchronicle.com

Jazz Re:Freshed Outernational Opens Expansive Genre Umbrella at SXSW

Steam Down, Yazmin Lacey, and more spanned Afrobeat to retro R&B
austinchronicle.com

Review: Atlas Maior: Hadal - Music

Hadal
austinchronicle.com

Journeyman: JaRon Marshall's Path From Black Pumas to Jazz-Hop Debut

Black Pumas’ JaRon Marshall Grounds Atmospheric LP earth sounds
austinchronicle.com

Review: Alex Coke & Carl Michel Sextet, EMERGENCE

Co-leaders make the most of band’s unusual, drumless instrumentation
austinchronicle.com

Review: Single Lash, Ladida: Quartet’s second album smoothly braids...

Ever hear the interstitial music VH1 Classic used during commercial breaks for 120 Minutes? It was just a few seconds of dreamy, jangly gui
austinchronicle.com

Review: Transit Method, Othervoid: Prog-rocking metalheads streamli...

Like everyone else, Transit Method spent most of the pandemic in hibernation to emerge stronger and more focused. With the LoCoco brothers
austinchronicle.com

Review: Amigo the Devil, Yours Until the War Is Over: Danny Kiranos...

Drawing equally from the fatalistic romanticism of Leonard Cohen, the dark-humored eccentricity of Tom Waits, and the easy narrative flow o
austinchronicle.com

Review: Monte Warden and the Dangerous Few, Jackpot!

Austin staple forges a connection between classic country and the Great American Songbook