Michael Famighetti

Bohnchang Koo collects and photographs talismanic things—from moon jars to military articles—treating them as conduits to a complicated past.

The exhibition "The Infinite Woman" at the Fondation Carmignac celebrates the infinite possibilities of womanhood.

In the mid-1980s, Ghirri was invited to make promotional photographs for the mythic carmaker. His images bring the company down to earth.

Tokuko Ushioda and Rinko Kawauchi make photographs to slow the passage of time, venerating the subtle textures of day-to-day living.

Can photography be a form of play? The Foto/Industria Biennale shows how improvisation and mugging for the camera are as old as the medium.

For her latest project, the Spanish photographer made portraits of young people in Kyoto who balance the expectations of tradition with contemporary life. 

Kyotographie is distinct among photo festivals for its clever site-specific exhibitions in many of the city's stunning locations

Synchrodogs have worked with some of the world’s leading magazines and brands—but since the war in Ukraine began, they have been stuck far from home.

For Matt Connors, Ghirri's photographs are built rather than composed—things rather than images.

Zora J Murff evaluates the fallout of prejudicial housing policies within the larger narrative of violence perpetrated against African Americans.

Read a statement by Michael Famighetti, Editor of Aperture Magazine

From colonial legacies to gender politics, FotoFest tackles photography from the country and its diaspora.

Aperture editor Michael Famighetti on work featured during the 2014 FotoFocus Biennial in Cincinnati.