Michael Depp

Devoncroft: Stalled Cloud, AI Surge Mark Broadcast Tech’s Next Stage

CEOs from Ross Video, Amagi and Bitmovin told attendees at Thursday’s Devoncroft Summit that 2025 has been marked by uncertainty but business was still growing.

DENVER, Colo. — As Adam Lewinson would have it, the age of TV monoculture is now permanently in the rearview mirror. “We’ve gone from the era of peak TV to the era of personalized TV,” Lewinson, Tubi chief content officer, told an audience at the StreamTV Show here last week. “People are watching what’s in their own fandom.” Lewinson said viewers are now ranging between two poles: endless, primarily short-form user-generated content, and premium, paywalled long-form content from uber-streamers like Netflix. For Tubi, the goal is to sit squarely on the equator. To do that, Lewinson said Tubi must hyper-scale …

The broadcast convention played out against a backdrop of whipsawing markets as vendors braced for more volatility ahead.

Sky’s Carys Hughes and Matrox Video’s Catherine Koutsaris will be celebrated as rising stars at TVNewsCheck’s 14th annual Women in Technology Awards at the NAB Show in Las Vegas.

At a conference last week focused on CTV monetization, questions of common currency, workflows and the right deliverables yielded few consensus answers. (Michael Depp photo)

An uneasy broadcast industry laid its cards on the table with vendors in Amsterdam, pushing budget-consciousness to the forefront, along with an immediate need to extract revenue and efficiencies from their technologies.

Broadcast Industry News - Television, Cable, On-demand

Broadcast Industry News - Television, Cable, On-demand

Ticker News may very well be the only purely FAST channel iterating news network in the world. The Melbourne, Australia-based outfit, runs on the leanest side of lean, staffing- and […]

For the past few years, streaming has been TV news’ safe space. Stories there can be more freewheeling and longer, sets and on-air journalists more dressed down. Streaming has become the de facto R&D lab for TV news experimentation, where newsrooms can chart out their future insulated from the scrutiny of broadcast viewers and their