Michael Brodeur

The internet’s crash-out over a girl’s airborne rendition of “How Far I’ll Go”’ from “Moana” was actually just us mourning silence.

The summer classical season is upon us, with concerts galore at Wolf Trap, Caramoor, Tanglewood and more.

A world premiere by Juhi Bansal served as the centerpiece of a choral program featuring spirituals and works by Aaron Copland, Caroline Shaw and Ted Hearne.

Former Kennedy Center composer-in-residence Mason Bates delivers an opera on the life and legacy of the Apple founder that’s full of sonic surprises.

A performance of the rarely heard “Symphony No. 4” revealed Gianandrea Noseda’s keen understanding of Shostakovich’s music.

Founding artistic director Ryan Brown closes his final season leading Opera Lafayette with a retrospective concert of lost operatic treasures.

The first new Metropolitan Opera production of “Salome” in 20 years takes a surreal, psychological approach to Strauss’s 1905 opera.

A new vision for the Kennedy Center could undo years of reconsidering what American classical music sounds like.

Denyce Graves-Montgomery directs Damien Geter’s new opera, commissioned for the 50th anniversary season of Virginia Opera.

The idiosyncratic score of the Chilean-Canadian composer plays an outsized role in the success of Mike White’s hit series.