Megan Garber

Ferris Bueller’s Day Off has avoided a midlife crisis for good reason: It’s a timeless portrait of popularity and truthiness.

Trump’s already notorious interview with NBC’s Kristen Welker was a rare up-close portrait of a presidential meltdown.

They came. They posed. They conquered.

Staff writer Megan Garber and Adrienne LaFrance, The Atlantic’s executive editor, discuss Garber’s new book, Screen People: How We Entertained Ourselves Into a State of Emergency.

With the rise of screen culture, all the world has stage fright.

Everyone wants a happy outcome. But sometimes, the greatest relief is any ending at all.

The Bachelorette promoted Taylor Frankie Paul as a new kind of heroine. Then reality got in the way.

The show, which deeply empathizes with John F. Kennedy Jr. and Carolyn Bessette, is ultimately just a paparazzo by other means.

On Netflix’s hit dating show, stealth misogyny gets its big reveal.

The more turbulent the times, the more tempting it is to [gesture around at everything].