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Maya Phillips

Maya Phillips

Critic at Large at The New York Times

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Location
United States
Languages
  • English
Covering topics
  • Entertainment
  • Media

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Recent Articles

nytimes.com

Endless Roads and Infinite Loops: Stagnation Is Horror’s New Villain

In movies like “It Ends” and “Exit 8,” the scares come from reliving the same thing over and over again.
nytimes.com

‘Avatar Aang: The Last Airbender’ Shows How to Beat Franchise Fatigue

There have been ups and downs, including a widely reviled big-screen disaster. But the latest film shows a story that is headed in the right direction.
nytimes.com

‘The Odyssey’ Should Have Done Better by This Character

One of the fascinating women of early literature, Circe becomes a simple witch in Christopher Nolan’s blockbuster.
nytimes.com

The Piece of Art That Inspired One of Theater’s Greatest Works

An August Wilson classic wouldn’t exist without a Romare Bearden masterpiece. Here’s how the two are intertwined.
nytimes.com

How Can Lestat Be So Alluring and Unbearable at the Same Time?

This season of “The Vampire Lestat” featured an outstanding lead performance but an unrecognizable title character.
nytimes.com

5 of My Favorite Onscreen Moments of 2026, So Far

These are the images that have stuck with me, from the uplifting to the grotesque — and with a surprising amount of dancing.
nytimes.com

Two Scenes, and Two Very Different Sides of Masculinity

Powered by exceptional performances from Jamie Bell and Richard Gadd, “Half Man” captures rare moments of male tenderness — before inevitably punishing them.
nytimes.com

‘I Love Boosters’ Review: A Fashion-Forward Sense of Justice

‘I Love Boosters’ Review: A Fashion-Forward Sense of Justice
nytimes.com

‘Decorado’ Review: Cute Mice Meet Cold Orwellian Despair

This surreal satire blends anthropomorphic charm with existential dread to critique capitalism, though its meta-commentary leaves some haunting questions frustratingly unanswered.
nytimes.com

‘The Lost Boys’ Helped Define the ’80s in More Ways Than One

The film that’s been adapted into a new musical created a memorable aesthetic with its cast and outfits. Its ideas about the nuclear family also made it a movie for its time.
nytimes.com

Top 10 Reasons We Love the Original ‘Devil Wears Prada’ Movie

The 2006 comedy is filled with moments big and small that have stood the test of time, thanks in no small part to Meryl Streep’s turn as Miranda Priestly.