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Maya Phillips

Maya Phillips

Critic at Large at The New York Times

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Location
United States
Languages
  • English
Covering topics
  • Entertainment
  • Media

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Recent Articles

nytimes.com

New York Comic Con Keeps the Fans Front and Center at 20th Anniversary

More anime, fewer superheroes. More nostalgia, less heavy promo. The annual convention continued on its path as a fan-driven event and not an industry hype machine.
nytimes.com

‘Forgotten Island’ Review: A Supernatural Filipino Adventure

In this animated film, two friends in the Philippines discover a portal to a place with magical creatures. But there’s one problem: How do they get back home?
nytimes.com

‘Cocoon — One Summer of Girlhood’ Review: Patriotic Sacrifices

The animated film is inspired by the real-life events of the Himeyuri Corps, who were mobilized, and then abandoned, in Okinawa, Japan, during World War II.
nytimes.com

Endless Roads and Infinite Loops: Stagnation Is Horror’s New Villain

In movies like “It Ends” and “Exit 8,” the scares come from reliving the same thing over and over again.
nytimes.com

‘Avatar Aang: The Last Airbender’ Shows How to Beat Franchise Fatigue

There have been ups and downs, including a widely reviled big-screen disaster. But the latest film shows a story that is headed in the right direction.
nytimes.com

‘The Odyssey’ Should Have Done Better by This Character

One of the fascinating women of early literature, Circe becomes a simple witch in Christopher Nolan’s blockbuster.
nytimes.com

The Piece of Art That Inspired One of Theater’s Greatest Works

An August Wilson classic wouldn’t exist without a Romare Bearden masterpiece. Here’s how the two are intertwined.
nytimes.com

How Can Lestat Be So Alluring and Unbearable at the Same Time?

This season of “The Vampire Lestat” featured an outstanding lead performance but an unrecognizable title character.
nytimes.com

5 of My Favorite Onscreen Moments of 2026, So Far

These are the images that have stuck with me, from the uplifting to the grotesque — and with a surprising amount of dancing.
nytimes.com

Two Scenes, and Two Very Different Sides of Masculinity

Powered by exceptional performances from Jamie Bell and Richard Gadd, “Half Man” captures rare moments of male tenderness — before inevitably punishing them.
nytimes.com

‘I Love Boosters’ Review: A Fashion-Forward Sense of Justice

‘I Love Boosters’ Review: A Fashion-Forward Sense of Justice