Curved to follow the street, elegantly detailed, and colored with yellow Roman brick and orange terra-cotta, it is a piece of sculpture that blends in, unobtrusive in its marvelousness.
Julian Schnabel’s adaptation of a 2002 novel by Nick Tosches is a reminder that very talented people are as capable of making a mess as the rest of us, only theirs tend to be a lot more expensive.
Constantine Manos’s photographs of Boston were shown at the city’s Bicentennial pavilion starting in 1975. A half century later, they still radiate life.
