Malcolm Gay

DePrince's career included dancing for Dance Theatre of Harlem and Dutch National Ballet.

Priorities have shifted for today’s cultural institutions, says Kristy Edmunds, the museum's director. It’s about helping the community, helping artists.

Boston Symphony Orchestra music director Andris Nelsons, who recently earned his second-degree black belt in taekwondo, has a few secrets up his sleeve.

Executive director says she received email threat shortly before Drag Queen Story Hour.

If the union drive is successful, the Coolidge would join a host of other cultural institutions where workers have unionized in recent years, including the Museum of Fine Arts and the Massachusetts Museum of Contemporary Art, among others.

“This orchestra set me on this journey,” he said, describing the ensemble as at “an inflection point.” “The critical decisions we’re going to make will set us up for the next 50 years.”

There aren’t many precedents for the Pulitzer- and Tony Award-winning musical, which is having its Boston premiere in a capable co-production by SpeakEasy Stage Company and Front Porch Arts Collective.

“I kind of had a feeling about which way this is going to go,” said Victoria Reed, senior curator of provenance at the Museum of Fine Arts. “It’s very clear that we didn’t necessarily have the documentation that we thought we did.”

Spotting a deepfake: Eight tips and tells

While technology ‘can manipulate what we perceive as true or false,’ humans ‘have some agency here,’ says Lindsay Bartholomew, exhibit content and experience developer at the MIT Museum.