Lucy Bourton

A recent report by the Creative Industries Policy and Evidence Centre’s reveals alarming disparities in class representation across the UK’s cultural sector. In hope of change, we speak to resource sharing network Common People on how class representation is more than just a moral issue.

Record labels are increasingly opting for AI-generated visuals over collaborating with creatives – and it’s dividing opinion among artists and listeners.

During the early ‘90s a group of artists, designers and musicians formed a collective studio, known only as tomato. In the years that followed, their experimental design approach led to era-defining work – always placing the process first.

Splitting her time between textile repairs and illustrative works, Molly Martin’s delicate hands create unique artworks.

A peek inside Apartamento magazine’s new blockbuster book

“Staying vocal is essential”: Janet Delaney's empowering photographs of 1980s marches

"Even if you cover a shit in glitter it’s still a shit": top creatives show us their CVs

Apartamento at ten: a decade of celebrating the everyday home

The wonky but lovely perspective of Editorial Mag editor Claire Milbrath’s paintings

Tara Booth, the comic book artist breaking the grid with personality and poise