Louisa Buck

Jeremy Deller, Larry Achiampong, Alberta Whittle, Victor Burgin, Hardeep Pandhal and Mark Titchner address the questions: What brings us together, and what pushes us apart?

As his latest film exploring the treatment of young Muslim men tours the UK, opening at Baltic in Gateshead this weekend, Perretta explains how he never wanted to be in the art world

A trio of ominously growling BMWs and a maze of tunnels based on London’s Victorian sewage system were just two of the commissions being unveiled by Bold Tendencies

William Eggleston, a titan of photography, took London by quiet storm last Thursday for 2 ¼, his new show at David Zwirner Gallery

The changing world of work is central to Turner Prize-winning artist’s new show at the Walker Art Center, Minneapolis

Cerith Wyn Evans, who wowed London’s art lovers and Instagrammers with his dazzling light sculpture at Tate Britain last year, has won the prestigious Hepworth Prize for Sculpture 2018.

Social Work is a new section dedicated to women who challenged the dominant values of the 1980s and ’90s

Richard Wilson’s oil installation 20:50 opens at the Hayward Gallery while Matt’s Gallery—the original commissioner of the 1987 work—launches its founding patrons scheme

The visceral, swaggering art of Sarah Lucas is arriving at the New Museum this month.

Despite a somewhat inauspicious location on the Caledonian Road just a few blocks away from Pentonville Prison, Large Glass art gallery has quietly established itself as one of London’s most intriguing and thoughtfully curated spaces.

This is certainly Tacita Dean’s year.

Culture, nature, science and art all come together in the work of Mark Dion, whose solo show, Theatre of the Natural World has just opened at the Whitechapel Gallery.

In the late Autumn of 1921, the bank clerk poet T.

It is impossible to be neutral about the Hayward Gallery.

“Her medium is energy,” Hans-Ulrich Obrist says of her work

This year Gilbert & George, the art world’s best known and longest running double act, celebrate half a century of living and working together as “Living Sculptures”.

Whether you are considering a spot of art-buying, or not - although this year there are price points to suit all budgets - both Frieze and Frieze Masters pull out all the stops to catch the eye and the pique the interest of the visitor.

In 1964, the 18-year-old Richard Long went for a winter walk on the downs near his native Bristol.

Surrealism was a movement dominated by men and obsessed with women.

Emma Hart has a reputation for making clay do the strangest things.