Lorne Manly

In an emotional Instagram video, the pop superstar explained she had stiff person syndrome and is postponing shows to rebuild her strength “and ability to perform again.”

Critics on both sides of the Atlantic found common ground in negative reviews of the first three episodes of the series.

Netflix, Apple, Disney. Here’s a user guide to the services that will define your future: what to watch, where to watch it and what it will cost you.

Once the scope of the festival became clear, The New York Times scrambled to cover its significance. Shakespeare was quoted.

Filmmakers thought their recreation of this 1973 media circus of a tennis match would be unfathomable to today’s audiences. They were mistaken.

The documentary-style film isn’t the kind of project that usually commands a nine-figure budget, but the 2010 oil rig disaster had elements straight out of a movie.

Ian Pai, who composed music used by the global theatrical brand, contends that he has been underpaid for decades.

L. Douglas Wilder, the former governor of Virginia, continues to pursue his dream of a national slavery museum even as a competing proposal moves forward.

The filmmaker has created his first television series.

Christine Baranski, Michael J. Fox, Alan Cumming and others recall favorite scenes for their characters.

As the CBS drama ends after seven years, Julianna Margulies and the show’s creators discuss their journey, and the increasing scarcity of network serialized dramas.

The 2016-2017 season is the last one under the Signature’s founding artistic director, James Houghton.

The streaming service’s first full-fledged hourlong drama series unbraids the ties that bind.

The singer-songwriter is part of a new twist in musical theater: pop stars trying to make the leap to Broadway.

Two movies — one a drama, the other a documentary — examine the ethical quandaries behind military drones, which can kill without the pilots ever leaving home.

“Creative differences” are cited as Gina Gershon leaves the play.

The musical “Come From Away,” which traces how the residents of Gander, Newfoundland, took in thousands of diverted airline passengers on Sept. 11, 2001, will come to New York in spring 2017.

The musical “Come From Away,” which traces how the residents of Gander, Newfoundland, took in thousands of diverted airline passengers on Sept. 11, 2001, will come to New York in spring 2017.

The new play, about a public relations crisis at a private equity firm, will begin performances at the Public Theater in March.

Ta-Nehisi Coates, Elizabeth Alexander and Colm Tóibín were among those nominated for the awards, which are to be announced on March 17.