Lloyd Wise

Win McCarthy, Hard Enough, 2015, Plasticine, resin, ink-jet-printed acetate, lag bolts, Hydrocal, 15 1/2 × 61 × 2″. A signal addition amid the recent vogue for neo-Surrealist sculpture, Win M…

View of “The Forever Now: Contemporary Painting in an Atemporal World,” 2014–15. Floor, foreground: Paintings by Oscar Murillo, 2012–14. Left wall: Oscar Murillo, 1/2, 2014. Background: Kerstin Brä…

Jean-Luc Moulène, Blown Knot 1 (CIRVA, Marseille, June 2014), steel, glass, 18 1/8 × 15 3/4 × 15 3/4″. After visiting Jean-Luc Moulène’s “Torture Concrete” at Miguel Abreu Gallery this past f…

Gabriel Orozco, Satellite View of North America, 2014, oil-jet painting, 15 × 9 × 4 1/2″. Coming to Gabriel Orozco’s work a generation late, I find it difficult to imagine the impact it had w…

Paul Feeley, Vespasian, 1960, oil-based enamel on canvas, 95 x 67″. Big, bold, and vibrant, Paul Feeley’s paintings are hard to miss. Rarely shown in the decades following his death in 1967, …

Carissa Rodriguez, It’s Symptomatic/What Would Edith Say?, 2013, permanent ink marker on ink-jet print mounted on Plexiglas, wood brace, 60 x 35 1/2″. From “Looking Back: The 8th White Column…

Tina Barney, The Reception, 1985, C-print, 48 × 60″. Money, I’ve heard, cannot buy happiness. And through the 1980s, Tina Barney’s darkly witty pictures of her insular upper-class milieu gave…

Larry Bamburg, BurlsHoovesandShells on an Acrylic Rake, 2013, wood burls, animal hooves, turtle shells, mollusk shells, acrylic, 105 x 42 x 40 1/2″. At the edges of Larry Bamburg’s recent sho…

Sadamasa Motonaga, Two in Order, 1985, oil on canvas, 23 7/8 × 19 3/4″. One of the coolest pieces of ephemera in the catalogue accompanying this exhibition of Sadamasa Motonaga’s later work i…

Eberhard Havekost, Transformers, B14, 2014, oil on canvas, 47 1/4 × 70 7/8″. The slick, sinister paintings of Eberhard Havekost have begun to show their age, which is a wonderful thing, since…