Mac Adams, The Whisper (Diptych), 1976–77, diptych, gelatin silver prints, each 36 5/8 x 40 1/8″. To begin his essay published for Mac Adams’s exhibition this past summer, critic David Campan…
Win McCarthy, Hard Enough, 2015, Plasticine, resin, ink-jet-printed acetate, lag bolts, Hydrocal, 15 1/2 × 61 × 2″. A signal addition amid the recent vogue for neo-Surrealist sculpture, Win M…
Gabriel Orozco, Satellite View of North America, 2014, oil-jet painting, 15 × 9 × 4 1/2″. Coming to Gabriel Orozco’s work a generation late, I find it difficult to imagine the impact it had w…
Knud Lonberg-Holm, Illustrated Production Cycle, 1937, printed matter, 10 7/8 × 8 1/2″. Like anything, the appeal of high modernism ebbs and flows. This presentation of architect Knud Lonberg…
Carissa Rodriguez, It’s Symptomatic/What Would Edith Say?, 2013, permanent ink marker on ink-jet print mounted on Plexiglas, wood brace, 60 x 35 1/2″. From “Looking Back: The 8th White Column…
Tina Barney, The Reception, 1985, C-print, 48 × 60″. Money, I’ve heard, cannot buy happiness. And through the 1980s, Tina Barney’s darkly witty pictures of her insular upper-class milieu gave…
Larry Bamburg, BurlsHoovesandShells on an Acrylic Rake, 2013, wood burls, animal hooves, turtle shells, mollusk shells, acrylic, 105 x 42 x 40 1/2″. At the edges of Larry Bamburg’s recent sho…
Sadamasa Motonaga, Two in Order, 1985, oil on canvas, 23 7/8 × 19 3/4″. One of the coolest pieces of ephemera in the catalogue accompanying this exhibition of Sadamasa Motonaga’s later work i…
Eberhard Havekost, Transformers, B14, 2014, oil on canvas, 47 1/4 × 70 7/8″. The slick, sinister paintings of Eberhard Havekost have begun to show their age, which is a wonderful thing, since…
Urban Zellweger, Everything You Need for Smalltalk, 2015, oil on canvas, 31 1/2 × 39 3/8″. For “Tables and Landscapes” at Shoot the Lobster, Urban Zellweger’s sprightly first New York solo sh…