Lily Janiak

Live event producer Fever has already mounted “The Jazz Room: A Journey to the Heart of New Orleans” in New York, Paris and Melbourne.

Tony Award-winner Tom Stoppard, who died on Nov. 29 at age 88 after being a staple of American Conservatory Theater for decades, wrote plays that blazed with light and warmth.

Center Rep’s take on Charles Dickens’ classic is produced in association with Axis Dance Company, which specializes in using disabled and nondisabled dancers.

Journalist Olivia Nuzzi might be an oracle of American political power, but in “American Canto,” she turns myopic when she directs that gaze inward.

In “The 4th Witch,” a Cal Performances co-commission, the inventive blend of theater, film and puppetry proves why this Chicago company deserves a place in your arts alerts.

The $25 T-shirt and $50 hoodie both feature a pocket-size illustration of the ubiquitous billboard lawyer on the side of a box of Asian takeout.

The touring cast of David Adjmi’s Tony Award-winning play took a trip across the Golden Gate Bridge to 2200 Studios, formerly known as the Record Plant, where Fleetwood Mac recorded “Rumours.”

As Republicans block Affordable Care Act subsidies, Amy Herzog’s “Mary Jane” spotlights the human cost of America’s broken health care system.

Jez Butterworth’s play at Berkeley Repertory Theatre time-travels from an adolescent quartet of would-be Andrews Sisters to their jaundiced older selves.

TheatreWorks’ mother-son road trip play feels like a life skills skit at a school assembly.