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Lena Wilson

Lena Wilson

Project Manager/Freelance Writer/Film Critic at The New York Times

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Phone
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Location
United States
Languages
  • English
Covering topics
  • Entertainment
  • Health & Medicine
  • Technology
  • Media

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Recent Articles

nytimes.com

‘Bodies Bodies Bodies’ Review: ‘Euphoria’ With Knives (Published 2022)

In this film from Halina Reijn, a group of rich Gen Z friends fear that a killer is stalking their inner circle.
nytimes.com

Girl Hunter or Girl Hunted? (Published 2022)

In her Y.A. thriller “I’m the Girl,” Courtney Summers uses a murder mystery to explore pressing questions about female empowerment.
nytimes.com

‘The Immaculate Room’ Review: A Blank Slate (Published 2022)

In this drama, a couple tries to live in a stark room with no distractions for 50 days.
nytimes.com

‘Fall’ Review: Things Are Looking Down (Published 2022)

In this nerve-shredding thriller, two young women fight to survive while stranded on top of a 2,000-foot TV tower.
nytimes.com

‘Not Okay’ Review: Posting Through It (Published 2022)

In this social media satire, a young woman desperate to find her purpose executes a heinous hoax.
nytimes.com

‘Zombies 3’ Review: Take Me to Your Cheerleader (Published 2022)

In the final installment of this Disney trilogy, the arrival of aliens alters our high school heroes’ quests for college — and social — acceptance.
nytimes.com

‘The Sea Beast’ Review: Of Monsters and Men (Published 2022)

In this new animated film from Netflix, a monster hunter and an orphan become unlikely allies at sea.
nytimes.com

‘My Fake Boyfriend’ Review: Deepfake Dating (Published 2022)

A gay man gets trapped in a web of lies after his overeager best friend concocts an artificial relationship for him on social media.
nytimes.com

‘The Lost Girls’ Review: Wendy’s Telling of Peter Pan (Published 2022)

In her second feature film, the director Livia De Paolis awkwardly tries to comment on the gender dynamics in J.M Barrie’s classic.
nytimes.com

‘Watcher’ Review: Terror, at a Glance (Published 2022)

In Chloe Okuno’s taut first feature, a woman is convinced a man is watching and possibly even following her.
nytimes.com

‘Torn Hearts’ Review: Sequins and Savagery (Published 2022)

In this horror movie with a Southern twang, an aspiring country duo seek guidance from their unhinged icon.