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Laurie Winer

Laurie Winer

Senior & Founding Editor at Los Angeles Review of Books

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Email address
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Influence score
42
Location
United States
Languages
  • English
Covering topics
  • History
  • Music

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Recent Articles

lareviewofbooks.org

Hitler, Continued

Senior Fiction editor Laurie Winer gives her thoughts on Hitler and comedy.
lareviewofbooks.org

What Happened Here in Munich: An Interview with Mirjam Zadoff

Laurie Winer talks with Mirjam Zadoff, director of the Munich Documentation Centre for the History of National Socialism.
lareviewofbooks.org

Hamilton in the Time of Trump

Laurie Winer on the Disney+ release of the hit musical during a time of protest.
lareviewofbooks.org

20th-Century Classics for 21st-Century Audiences: An Interview with...

Laurie Winer talks to Tony-nominated theater director Bartlett Sher, whose "To Kill a Mockingbird" is currently playing on Broadway.
lareviewofbooks.org

The Michael Jackson Songbook

After “Leaving Neverland,” what can Michael Jackson’s lyrics tell us?...
lareviewofbooks.org

The Michael Jackson Songbook

After “Leaving Neverland,” what can Michael Jackson’s lyrics tell us?...
lareviewofbooks.org

Letter from New York: The Dope on How We Cope, or, The Theater Cure

Laurie Winer reviews several plays currently on Broadway, including "Hadestown," "To Kill a Mockingbird," and "My Fair Lady."
lareviewofbooks.org

Letter from New York: The Dope on How We Cope, or, The Theater Cure

Laurie Winer reviews several plays currently on Broadway, including "Hadestown," "To Kill a Mockingbird," and "My Fair Lady."
lareviewofbooks.org

It is Pleasant to Know Things: In Memory of Jonathan Gold

Laurie Winer remembers long lunches with Jonathan Gold.
lareviewofbooks.org

The Marriage Plot: Three Versions of “Wolf Hall”

The story of Henry VIII and Anne Boleyn has been told and retold from hundreds of angles. So why did Hilary Mantel’s version catch fire?
lareviewofbooks.org

The Love Letters of Heinrich Himmler

"The Decent One" heralds a new kind of Holocaust documentary, one made by a documentarian two generations removed from the original horror, one that dares to look at a perpetrator with the assumption that he is not an animal or a monster but a human being.
lareviewofbooks.org

The Love Letters of Heinrich Himmler

"The Decent One" heralds a new kind of Holocaust documentary, one made by a documentarian two generations removed from the original horror, one that dares to look at a perpetrator with the assumption that he is not an animal or a monster but a human being.
lareviewofbooks.org

The Only People Here: Lorrie Moore’s Latest

Lorrie Moore's Bark, says Laurie Winer, gives "a shimmering sense of life passing in all of its aching beauty."
lareviewofbooks.org

The Mormon Candidate

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