Kevin Lincoln

The 46 Best Movies Over 3 Hours Long

From one perspective, Widows doesn’t look like a heist film: it seems like more of a prison break, the story of four women breaking free of men.

The ending of Paul Schrader’s remarkable new film is a puzzle worthy of the great struggle that comes before it.

After iffy collaborations with porn stars and Nicolas Cage, the writer-director is back with the buzzy First Reformed.

No one expected the Danish punk band to go this far

“I have played one-dimensional female characters in male-driven comedies. You’re left floundering trying to create something from nothing.”

“When this gets overlooked, it gives people the license to think they can get away with the next thing.”

His performance on The Girlfriend Experience isn’t just good acting. It’s technically good acting.

Few filmmakers have shown such a consistent interest in serial killers and what makes them tick.

Get ready to learn a lot about Agamemnon.

Director Patrick Brice thinks it might be … a rom-com?

Mother! joins a small, motley group of auteurist misses and obvious clunkers.

Director David Leitch walks us through what it took to pull off the complex set piece.

Michael Fassbender’s David isn’t just an equal match for the heroes. He’s the engine that makes the film run.

“People assume that because I’m a director, I make tons of money. I am struggling financially.”

“I’m a cynic, that’s why.”

Making a movie for cheap is one thing. Selling it to viewers is another.

“Jane Campion said that to be a film director, you have to be a kid, and as soon as you’ve made one, you’re not a kid anymore.”

Were the ghosts real? Let’s talk about it!

On the eve of the sequel’s release, the people involved explain the story behind the cult hit.