Kelundra Smith

The business case for a more diverse American theatre is a distraction from our core human and artistic values, which is the ground we must stand on in the fight for DEI.

With our art form and industry at a crossroads, now is not the time for timidity or self-censorship.

What theatres are cooking up for ‘Waitress,’ the Sara Bareilles/Jessie Nelson musical that’s popping up at several theatres in the coming season.

With support from the Ford Foundation, Theatre Futures invites thought leaders in the arts and beyond to reflect on our next chapter.

Our managing editor reflects on how the skills she picked up doing arts journalism inform her approach to storytelling in another medium.

In 1968, one of the regional theatre’s founding mothers wrote an urgent memo to her board: It was long past time to integrate the company and diversify the audience.

The creative team at TuYo Theatre on how and why they created ‘Pasale Pasale.’

Tituss Burgess and Azie Dungey discuss faith, adapting a classic, and loving musical theatre.

These seasoned Atlanta artists prove that creative entrepreneurship and collaboration are keys to a vibrant career in one of the South’s most exciting cities.

Damon Chua’s new play at Pan Asian Rep retells a portion of a Chinese epic that follows the badass icons Wan and Qing.