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Kelefa Sanneh

Kelefa Sanneh

Staff Writer at The New Yorker

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Influence score
57
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Location
United States
Languages
  • English
Covering topics
  • Sports

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Recent Articles

newyorker.com

Who’s Afraid of A.I. Music?

When the rapper Fenix Flexin débuted a new accent on his single “Rubberz,” he stumbled into a century-old fight over musical fraudulence.
newyorker.com

The Myth of the Food Desert

The Myth of the Food Desert
newyorker.com

How the Beach Vacation Became a Country-Music Trope

The genre extolls the virtue of staying close to your home town. “Five O’Clock Somewhere” was part of a wave of hits that envisioned an escape to the seaside.
newyorker.com

The Hell-Raising Rocker Who Conquered Country Radio

Koe Wetzel, who broke out with a song about driving drunk to Taco Bell, reintroduces himself on a new album, “The Night Champion.”
newyorker.com

Drake Is Back in Earnest

The Canadian rapper releases his comeback record—alongside two surprise albums. Regrets from the past few years rise to the surface, but he sounds best when he’s having fun.
newyorker.com

The Confessions of Isaiah Rashad

The Tennessee rapper reflects on sobriety, the scrutiny he faced after his sexuality was publicized, and a new album that fittingly covers his past five years: “It’s Been Awful.”
newyorker.com

The Lone-Star Laments of Kacey Musgraves

On her new album, “Middle of Nowhere,” the singer toys with two of country music’s great themes: her home state of Texas, and solitude.
newyorker.com

The Idea That Reshaped Identity Politics Has a Complicated Backstory

Kimberlé Crenshaw gave us the terms “intersectionality” and “critical race theory.” Her new memoir shows that she isn’t done fighting over what they mean.
newyorker.com

The Action-Film Director Who’s Taking On Michael Jackson

Antoine Fuqua has built a career on movies with irresistible heroes. Now he’s telling the story of the King of Pop.
newyorker.com

Kanye West Makes a Record for the A.I. Era

Listeners can’t quite tell whether Kanye West’s new album, “Bully,” uses A.I. But the question of what the “real” Ye sounds like has never been simple.
newyorker.com

Bad Bunny’s All-American Super Bowl Halftime Show

You could think of the set as a tribute to the power and capaciousness of American popular music—or as a pointed critique of it.