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Kelefa Sanneh

Kelefa Sanneh

Staff Writer at The New Yorker

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57
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Location
United States
Languages
  • English
Covering topics
  • Sports

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Recent Articles

newyorker.com

The Composer Making a Hip-Hop Musical About Anne Frank

Andrew Fox, the creator of “Slam Frank,” was disillusioned with American theatre. Then a viral debate about white privilege gave him a new sense of purpose.
newyorker.com

Rosalía Doesn’t Want to Take It Easy

On “Lux,” her intense and expansive new album, the artist transgresses the limits of pop music.
newyorker.com

NBA YoungBoy Stands Alone

On his first major headlining tour, the Baton Rouge rapper is the calmest person in the room.
newyorker.com

Pan-African Dreams, Post-Colonial Realities

Two new books, on Kwame Nkrumah’s promise and Idi Amin’s tyranny, capture the soaring hopes and bitter aftermath of Africa’s age of independence.
newyorker.com

The Biggest Pop Star in the World

From the daily newsletter: what’s next for the Latin-trap performer Bad Bunny?
newyorker.com

Bad Bunny’s Puerto Rican Homecoming

Bad Bunny’s Puerto Rican Homecoming
newyorker.com

How Music Criticism Lost Its Edge

Music writers were once known for being much crankier than the average listener. What happened?
newyorker.com

Ozzy Osbourne Tried to Raise Hell

The Black Sabbath front man set out to capture the sound of evil. Somehow, he became widely loved.
newyorker.com

How the Meanest Genre Got Nice

Hardcore was once brutish and insular. Has Turnstile made it popular?
newyorker.com

The Everyday Dramas of Manhattan Rush Hour

In 1998, Matthew Salacuse took hundreds of pictures of New York commuters. Then he forgot about them for more than twenty years.
newyorker.com

Kanye Gave Twitter an Exclusive Hit Single

Spotify and YouTube barred the song, which salutes Hitler, from their platforms. It found its audience, anyway.