Kathryn VanArendonk

‘With Love Meghan’ Pioneers New Frontiers in Unrelatability

Season eight is stuck in the same superficial relationship to social media it finds so concerning for its participants.

Everyone involved with this should be ashamed.

Season three finds Mike White’s series in full franchise mode, most defined by what came before.

The people on the internet are wrong. Or are they?

Laverne Cox’s sitcom protagonist doesn’t operate in our world. Honestly, good for her.

This may shock you, but things on Paradise are not what they seem.

In his Off Broadway show, the comedian too often confuses attention for acceptance.

I powered through Max’s not-an-ER reboot with so much delight that I was annoyed when I had to pause to watch something ostensibly better.

Severance season two delivers answers. But its greatest pleasure is returning to this world and finding it still exists.